Found in 1904 at Susa near Turin, Italy (Couvert 1904, p. 198; Ferrero 1904, p. 71.) 1904, found at Susa, near Turin, Italy; [from after 1904, with Cesare and Ercole Canessa, Paris]; until 1914, collection Arthur Sambon, Paris; acquired in 1914, purchased through Galerie Georges Petit at the Arthur Sambon Sale, Paris
"Die Pferde von San Marco."
https://www.metmuseum.org/art/collection/search/436282
The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
"‘Pferde von hinten‘ in der New Yorker Doppeltafel: Eine unberücksichtigte Pathosformel und die Rolle
https://www.metmuseum.org/de/art/collection/search/39901
Inscription: No Artist’s inscription, signature, or sealOther inscriptions[1] 1. Southern Tang emperor Li Yuå�—å”�後主æ�Žç…œ (r. 961–975), signed with a cipher, 1 column in standard script, undated:Night-Shining White painted by Han Gan, [signed with a cipher]
wird Han Gan zugeschrieben, der dafür bekannt war, nicht nur die körperlichen Eigenschaften eines Pferdes
https://www.metmuseum.org/collection/the-collection-online/search/450538
Rider on a NagA number of drawings from the Deccani kingdoms that incorporate marbling are known. A whole group of them illustrate nags; among the Sufis, nags are thought metaphorically to embody the body’s gross desires and therefore are properly shown starved and beaten
Schimmel, Annemarie "Nur ein storrisches Pferd . . ."
