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Isabella Brant by Sir Anthony van Dyck https://www.nga.gov/artworks/54-isabella-brant
Isabella Brant was the first wife of the Antwerp master Peter Paul Rubens, whom she married shortly after his return from Italy in 1609. Just before Anthony van Dyck, one-time protégé and frequent collaborator of Rubens, left Antwerp in October 1621 for his own extended stay in Italy, he apparently presented this portrait to his mentor.
1930, as a painting by Peter Paul Rubens, through (Matthiesen Gallery, Berlin; P.
Enthroned Madonna and Child by Byzantine 13th Century https://www.nga.gov/artworks/37004-enthroned-madonna-and-child
The composition of this Virgin and Child is loosely based on the Hodegetria , one of the more powerful and enduring icon types of the Orthodox Christian church. The Virgin gestures toward the child to show him as the “way� ( hodos in Greek), the source of salvation.
(Herbert P.
The Annunciation by Jan van Eyck https://www.nga.gov/artworks/46-annunciation
A play and a painting appear to have merged in Jan van Eyck’s dramatic Annunciation , which is rich with Christian symbolism. The rainbow-winged archangel Gabriel tells the Virgin Mary that God has chosen her to bear his son.
, Saint Petersburg;[3] purchased June 1930 through (Matthiesen Gallery, Berlin; P.
Joseph Accused by Potiphar’s Wife by Dutch 17th Century https://www.nga.gov/artworks/86-joseph-accused-potiphars-wife
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
January 1931, as a painting by Rembrandt, through (Matthiesen Gallery, Berlin, P.
Head of an Aged Woman by Dutch 17th Century https://www.nga.gov/artworks/1203-head-aged-woman
After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Pictures in the collection of P. A. B.
Madonna and Child with Saints in the Enclosed Garden by Anonymous Artist https://www.nga.gov/artworks/45888-madonna-and-child-saints-enclosed-garden
This large panel painting by a follower of Robert Campin combines the new interest in nature of the fifteenth-century Netherlandish artists with a long tradition of symbolic religious painting. There is a thoroughly believable quality about the heavy folds of drapery, the delicate leaves of the flowers, and the shallow space within the garden walls.
P., ed. "Accessions of American and Canadian Museums, April-June 1959."
Saint Martin and the Beggar by El Greco https://www.nga.gov/artworks/1164-saint-martin-and-beggar
Commissioned for the Chapel of San José in Toledo by MartÃn RamÃrez, a namesake of the saint and donor of the chapel, Saint Martin and the Beggar was part of one of the artist’s most successful ensembles. The saint, who lived during the reign of Constantine the Great, was a member of the imperial cavalry stationed near Amiens, in Gaul.
National Gallery of Art, Washington, 1992: 80, repro. 1993 Griswold, Susanna P.
Venus with a Mirror by Titian https://www.nga.gov/artworks/41-venus-mirror
Titian’s goddess of love and beauty conjures the sense of touch. Observing her flushed cheek, one can almost feel its warmth.
Petersburg;[4] purchased April 1931 through (Matthiesen Gallery, Berlin; P. & D.