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Advanced Artwork Search drei Köpfe und Beschriftung (Three Heads, One Notation) [p.
(Galerie Matthiesen, Berlin, 1927).[1] (P. & D.
The crest bearing three cows’ heads, visible on the wall behind the sitter, indicates that this young man is a member of the prosperous Coymans family of Haarlem. The cows’ heads refer directly to the Dutch family name, which translates as „cow man.“ Archival and genealogical information, combined with the Latin inscription „AETA SVAE.22 / 1645“ below the shield, identifies the sitter as Willem Coymans, who was twenty-two years old in 1645.
Collis P.]
Bibliography 1909 Leprierue, P. et al.
Jan Steen’s paintings encompass a wide range of moods and subjects, from intimate scenes of a family saying grace before a meal to festive village celebrations, yet all of his paintings elicit a warm reaction to the lives of ordinary people. All five senses are represented in this work in which two young musicians play for a dancing couple while other people in the vine-covered arbor flirt, eat, drink, or smoke, and children amuse themselves with their toys.
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Once cautiously attributed to Johannes Vermeer, Girl with a Flute was more likely painted by a studio associate of Vermeer. Although the general character and appearance of the work relate closely to works by Vermeer, especially Girl with the Red Hat , the quality falls short of Vermeer’s standards.
Knoedler & Co., New York, and P. & D.
Jacob van Ruisdael represents the pinnacle of seventeenth-century Dutch landscape painting. This great artist, the son of a painter and the nephew of Salomon van Ruysdael (see NGA 2007.116.1), began his career in Haarlem but moved to Amsterdam in about 1656.
2] (his estate sale, Christie, Manson, & Woods, London, 16 June 1894, no. 48); (P.
Woman Holding a Balance is a superb example of Johannes Vermeer’s exquisite sense of stability and rhythm. A woman dressed in a blue jacket with fur trim stands serenely at a table in a corner of a room.
204, and in Sales Book 9, May 1907-January 1912, p. 287 (M.
Hans Mielich was the leading painter in Bavaria in the mid-sixteenth century. His art was greatly influenced by Albrecht Altdorfer with whom he worked in Regensburg from about 1536 to 1538.
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