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Woman and Child in a Courtyard by Pieter de Hooch

https://www.nga.gov/artworks/1173-woman-and-child-courtyard

Pieter de Hooch excelled in the sensitive depiction of people going about their daily lives, be it inside their houses or in the sheltered environment of an urban courtyard. His masterly control of light, color, and complex perspectival construction can be compared to the work of Johannes Vermeer, his contemporary and colleague in Delft.
Pictures in the collection of P. A. B.

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The Bedroom by Pieter de Hooch

https://www.nga.gov/artworks/1172-bedroom

Pieter de Hooch excelled in the sensitive depiction of people going about their daily lives, be it inside their houses or in the sheltered environment of an urban courtyard. His masterly control of light, color, and complex perspectival construction can be compared to the work of Johannes Vermeer, his contemporary and colleague in Delft.
Pictures in the collection of P. A. B.

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Parau na te Varua ino (Words of the Devil) by Paul Gauguin

https://www.nga.gov/artworks/53130-parau-na-te-varua-ino-words-devil

Lured to Tahiti in 1891 by reports of its unspoiled culture, Gauguin was disappointed by its civilized capital and moved to the countryside, where he found an approximation of the tropical paradise he had expected. The Tahiti of his depictions was derived from native folklore supplemented by material culled from books written by earlier European visitors and overlaid with allusions to western culture.
The artist signed, dated, and inscribed the title in the lower left corner, "P Gauguin

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View of Rhenen by Jan van Goyen

https://www.nga.gov/artworks/139354-view-rhenen

Jan van Goyen composed this grand, visually compelling panorama of Rhenen, a medieval walled city on the Rhine River, in 1646. Situating the viewer near the winding road that leads to the city, he masterfully captured the overarching sky, undulating terrain, and vast sweeps of Dutch countryside for which that region was known.
P. Achter Berg en Rijn. Over boeren, burgers en buitenlui in Rhenen.

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