Staff – The Metropolitan Museum of Art https://www.metmuseum.org/departments/textile-conservation/staff
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Toronto: Textile Society of America, 2006.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Toronto: Textile Society of America, 2006.
Gardiner Museum of Ceramic Art, Toronto.
Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
Art Gallery of Toronto.
This painting, one of Bor’s finest works, dates from about 1640. Its subject and its relationship to a similar picture in the Rijksmuseum, Amsterdam, have been debated, but it is likely that the two canvases were painted as a pair and depict the complementary stories of the disillisioned Medea and Cydippe with Acontius’s apple (see fig
Art Gallery of Toronto. „Dutch Painting: The Golden Age,“ February 18–?
Toronto, 1975, p. 28 n. 2. Theodore Reff. Degas, The Artist’s Mind.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Toronto: Burns and MacEachern, 1955. pp. 8, 10, 14–16, 50–51. Roth, C.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Toronto: Burns and MacEachern, 1955. pp. 8, 10, 14–16, 50–51. Roth, C.
This picture is one of four whaling subjects by Turner; the other three form part of the artist’s bequest at Tate Britain, London. The Met’s painting and another of the same title were shown at the Royal Academy in 1845, receiving a mixed reception
Exh. cat., Art Gallery of Ontario, Toronto. London, 1980, p. 153 n. 1.