Toronto. Art Gallery of Ontario.
Credit Line: Musée du Louvre, Département des Objets d’art, Paris (OA 5611) Toronto
Signature: [original mat, recto, lower right, in graphite]: approved — / Louis C. TiffanyInscription: Component a- [recto left photograph collage, center, in gouache]: MUSIC; [recto, center photograph collage, center, in gouache]: LITERATURE; [recto, right photograph collage, center, in gouache]: ART; [artist’s board, recto, lower left, in graphite]: Knowles [underlined] / 31 [loss, possibly 43]; [artist’s board, recto, center, in graphite]: 3’ 5 ½; [artist’s board, recto, lower right, in graphite]: Scale 3 inches = 1 ft
Eaton, Toronto, Canada Louis C.
Toronto. Art Gallery of Ontario.
: The Devonshire Collection, Chatsworth, Trustees of the Chatsworth Settlement Toronto
Three scholars from across The Met work together to see beneath a Louis C. Tiffany drawing.
Eaton, Toronto, Canada, now on view in gallery 743 of The American Wing, Tiffany
Learn more about the fascinating 16th-century boxwood miniatures featured in the exhibition „Small Wonders: Gothic Boxwood Miniatures.“
Through the collaboration of conservators in Toronto and New York, the genius of
Inscription: (around exterior of upper half): [image of a flower] ATTENDITE . VIDETE . SI . EST . DOLOR . SICVT . DOLOR . MEV[S] (attend [and] see if there exists pain to such an extent as my pain [Lamentations 1:12])(around exterior of lower half): [image of a flower] LEVEMVS
Pierpont Morgan(1913–1917) Toronto. Art Gallery of Ontario.
Inscription: (Exterior legend): [image of a flower] ATTENDITE . ET . VIDETE . SI EST . DOLOR . SICVT . DOLOR . MEVS([image of a flower] Look and see if [there] is sorrow like my sorrow [Lamentations 1:12])(Interior legend): O CRUX
Toronto. Art Gallery of Ontario.
Toronto, 2019, p. 94. Patricia Allmer.
Number: L.2008.58.1a–c [ Guy Ladrière, Paris (about 1990)] ; Private collection, Toronto
1957-58, excavated on behalf of the Joint Expedition to Nippur (Baghdad School of the American Schools of Oriental Research and The Oriental Institute of the University of Chicago); acquired by the Museum in 1958, as a result of its financial contribution to the excavations
Toronto: University of Toronto Press, pp. 132-3, no. 24.
