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Displaying Islamic Art at the Metropolitan: A Retrospective Look – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/displaying-islamic-art-at-the-metropolitan

This illustrated essay describes the evolution of the display of Islamic art at the Met—from the first largely visual exhibitions to the present scholarly organization by style, material, and civilization.
removed the dark Victorian velvet draperies in favor of walls in "grey verging on sage

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Art of the First Cities | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2003/art-of-the-first-cities

Art of the First Cities surveys the evolution of art and culture in the land between the rivers Tigris and Euphrates and their impact on the emerging cities of the ancient world—from the Aegean and Eastern Mediterranean across Central Asia and along the Gulf to the Indus Valley—during one of the most seminal and creative periods in history.
In their own language, Sumerian, they call themselves sag giga, or "black-headed

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The Met Reopens Newly Reimagined Galleries Dedicated to the Arts of Africa, the Ancient Americas, and Oceania, Following a Multiyear Transformation of The Michael C. Rockefeller Wing – The Metropolitan Museum of Art

https://www.metmuseum.org/press-releases/mcrw-opening-english-2025

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
preparators Warren Bennett, Andrew Estep, Jacob Goble, Laila Lott and Frederick Sager

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Johan Christian Dahl – Two Men before a Waterfall at Sunset – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/439344

Two men stand at a precipice beside towering spruce trees. They look across a gorge toward a majestic waterfall, having paused together to contemplate this untamed scenery at sunset. The figure on the left, shown wearing a top hat and overcoat, is most likely a self-portrait by Dahl
Kulman-Hodick in the catalogue for Dresden-Oslo 2014–15, pp. 102–5. [8] Letter to Lyder Sagen

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