Meintest du stage?
The furniture, paintings, and ceramics in this pre-Revolutionary room, on view at The Met, all belonged to Samuel Verplanck (1739–1820), a member of an influential New York City family, and his Dutch-born wife, Judith Crommelin Verplanck (d. 1803).
Russell Sage, by exchange, 1971 (1971.140.1a–c).
This illustrated essay describes the evolution of the display of Islamic art at the Met—from the first largely visual exhibitions to the present scholarly organization by style, material, and civilization.
removed the dark Victorian velvet draperies in favor of walls in "grey verging on sage
Femme, et vous n’êtes plus Mère/Tout parle ici pour votre Epoux/Vos filles plus sages
Femme, et vous n’êtes plus Mère/Tout parle ici pour votre Epoux/Vos filles plus sages
Two scholars consider the displacement of Assyrian people and their art.
The Apkallu were the kind of seven sages who lived before the flood.
In July 2023 MetLiveArts welcomed three-time GRAMMY®-winning jazz vocalist Cécile McLorin Salvant for an exclusive recording session in the Unicorn Tapestries Room at The Met Cloisters
editor Rick Siegel, director of photography Mike O’Brien, camera operator Jill Sager
Search art at the Metropolitan Museum.
Chimera China ca. 3rd century Jar (Hu) China late 3rd–4th century CE Seven Sages
Copenhagen, 1852–Copenhagen, 1936
on loan in Berlin in 1914 to both Tetzen-Lund and to Norwegian collector Tryggve Sagen
Relocating a structure like the ciborium requires the skills of conservators as well as professional riggers who specialize in moving oversize art objects.
Rudy Colban and Fred Sager using thin saws to cut through the mortar joins.
This group of five ivory panels are the reassembled elements of a „composite casket,“ so called by scholars because the narrative scenes that adorn them are vignettes from a variety of popular stories and chivalric romances
Der Deckel dieser Schatulle mit Szenen aus der Arthus- und anderen höfischen Sagen
The art of the third millennium B.C. reflects not only the extraordinary developments in the cities of the Near Eastern heartland but also their interaction with contemporary civilizations to the east and west.
In their own language, Sumerian, they call themselves sag giga, or “black-headed
