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The Gardens of The Met Cloisters | The Metropolitan Museum of Art

https://www.metmuseum.org/about-the-met/collection-areas/medieval-art-and-the-cloisters/met-cloisters-gardens

Designed as an integral feature of the Museum, the gardens have been a major attraction of The Cloisters since its opening in 1938, enhancing both the setting in which the Museum’s collection of medieval art is displayed and the visitor’s understanding of medieval life.
Rosa ‚Heritage‘ — David Austin English Rose*   Salvia nemerosa ‚Caradonna‘ – Sage

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Wonder of the Age | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2011/wonder-of-the-age--master-painters-of-india-11001900

Indian paintings have traditionally been classified according to regional styles or dynastic periods, with an emphasis on subject matter and narrative content. Recent scholarship, however, has begun to securely link innovations in style with specific artists and their lineages. Together This Structured Featured  
Highlights include: A Sufi Sage, after the European personification of melancholia

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Chippendale’s Director: The Designs and Legacy of a Furniture Maker | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2018/chippendale-director

This exhibition looks closely at how Thomas Chippendale’s unprecedented publication „The Gentleman and Cabinet-Maker’s Director“ cemented the artist’s name as England’s most famous cabinetmaker.
Russell Sage, by exchange, and funds from various donors, 1974 (1974.325).

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Daoism and Daoist Art – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/daoism-and-daoist-art

Over time, Daoism developed into an organized religion—largely in response to the institutional structure of Buddhism—with an ever-growing canon of texts and pantheon of gods, and a significant number of schools with often distinctly different ideas and approaches.
The Daoist sage Laozi is often shown riding on an ox or in an ox cart as he prepared

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