Meintest du rosa?
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Collections Cataloguing Orfeo Cellura holds a dual PhD in Art History (Universit� di Roma
Ca. 1911, known and possibly purchased by Ernst Herzfeld, near Tell al-Deylam (ancient Dilbat); by 1914, collection of Frida and/or Georg Hahn, Berlin, who most probably acquired it from Ernst Herzfeld; 1939, left on deposit at the British Museum by the Hahn family; acquired by the Museum in 1947, purchased from Charlotte Weidler, New York, on behalf of Georg Hahn
Roma: Pontificum Institutum Biblicum, p. 63, 73, 89. Wilkinson, Charles K.
Saint Matthew is shown seated in a dark interior lit by an oil lamp and assisted by an angel in his writing of the gospel. The diminutive scenes in the background, whose subjects have been debated, relate to his life as presented in the Golden Legend
"Scarlatto come il rosso veneziano: Lotto, Cariani e Savoldo a Roma."
Saint Matthew is shown seated in a dark interior lit by an oil lamp and assisted by an angel in his writing of the gospel. The diminutive scenes in the background, whose subjects have been debated, relate to his life as presented in the Golden Legend
"Scarlatto come il rosso veneziano: Lotto, Cariani e Savoldo a Roma."
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
INAH). He has served as a visiting professor at the Sorbonne, the Università di Roma
In this painting, the Madonna and Child are flanked by Saint Francis to the left, shown in the gray habit of the Franciscan order and holding the cross within his stigmata-marked hand, and Saint Jerome to the right, attired in the red robes of a cardinal, signifying his service to Pope Damasus I (305–384 CE)
Guida metodica di Roma e suoi contorni.
"Prima di Corot: pittori e scrittori tra Roma e Napoli."
Excavated at the Villa of P. Fannius Synistor, Boscoreale, about a mile from Pompeii (Cavenaghi 1901, p. 5; Barnabei 1901, pp. 71-81). 1899-1900, frescoes excavated by Vincenzo de Prisco; [until 1903, with Cesare and Ercole Canessa, Naples and Paris]; acquired in 1903, purchased from C
I Marmi Colorati Della Roma Imperiale, Marilda de Nuccio and Lucrezia Ungaro, eds
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
Correggio in Roma. [ca. 1709], f. 10v.
Inscription: Inscribed in Greek: [On lid] Here is your son…Here is your Mother (on either side of Christ’s head); Jesus; Mother of God; John; [on lid moving clockwise from upper left] Saint Demetrios; Saint Eustathios; Saint Lawrence; Luke; Mark; Thomas; James; Saint Damianos; Saint Kosmas; Saint Gregory the Miracle-Worker; Bartholomew; Matthew; Jude; Simon; [on side moving clockwise from upper left] Saint Anastasios; Saint Nicholas; Saint Platon; Saint Theodore; Saint Prokopios; Saint George; Saint Merkourios; Saint Eustratios; Saint Panteleimon; Saint Andrew; Saint John; Saint Paul; Saint Peter; [inside lid] Hail, full of grace!; The Nativity; Here is your son
In Roma e l’età carolingia: Atti delle giornate di studio, 3-8 maggio, 1976, edited
