Meintest du rosa?
fourth marquess of Londonderry, and inscribed FREDERICH MARQUIS OF LONDONDERRY ROMA
fourth marquess of Londonderry, and inscribed FREDERICH MARQUIS OF LONDONDERRY ROMA
One of the greatest printmakers of the eighteenth century, Piranesi always considered himself an architect.
century The Piazza del Popolo (Veduta della Piazza del Popolo), from „Vedute di Roma
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Sebatian outside the Walls) on the Appian Way, from „Vedute di Roma“ (Views of Rome
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Guston 1972 Untitled (Wall) Philip Guston 1972 Alone Philip Guston 1971 Roma
The Artist: Simon Vouet (see fig. 1 above) is one of a number of major artists, among whom are Jusepe de Ribera, Valentin de Boulogne, Gerrit van Honthorst, and Bartolomeo Manfredi, who worked in Rome in the immediate aftermath of Caravaggio’s death and absorbed his dramatic treatment of expressive lighting, startling naturalism, and psychologically penetrating approach to narrative subjects
Accademia di Francia a Roma – Villa Medici.
Pliny’s retreats slipped into the landscape with terraced gardens and opened outward to natural surroundings through colonnades, or loggias, which replaced solid enclosing walls.
nelle Piazze e Luoghi Publici (…)‘, part 3, ‚Le Fontane ne‘ Palazzi di Roma‚ (
From before 1631 and until 1902, in the Giustiniani Collection, Rome; 1902, purchased from the Giustiniani family through Giuseppe Sangiorgi by Mrs. Frederick F. Thompson, New York; acquired in 1903, gift of Mrs
I Giustiniani e l’Antico : Palazzo Fontana di Trevi, Roma 26 ottobre 2001-27 gennaio
The classical ideal propagated at the Academy was complemented by the influence of contemporary art in Rome and the city’s thriving artistic community.
for French students of Painting, Sculpture and Architecture…, from „Vedute di Roma
Georges de La Tour’s Fortune Teller is one of the painter’s early masterpieces. It has been variously dated between 1620 and 1639, and it is most likely from the 1630s. The canvas is signed at top right: G
theme popularized in Northern Europe by prints and in Rome by Caravaggio: an old Roma
Search art at the Metropolitan Museum.
Barque „Jane Tudor,“ Conway Bay David Johnson ca. 1855 Classical Landscape with Roma
