Meintest du rosa?
The Coinage of Heraclea Lucaniae. pp. 79–86, Roma: L’Erma di Bretschneider.
Ignoring or registering only gently harsh new realities such as the problems of immigration and urban poverty, they shone a positive light on their era.
William James Glackens ca. 1910 The Masquerade Dress Robert Henri 1911 Spanish Roma
The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
"Velázquez en Roma."
L’arte in Roma dal sec. VIII al XIV. Bologna: L.
L’arte in Roma dal sec. VIII al XIV. Bologna: L.
In Romantic art, nature—with its uncontrollable power, unpredictability, and potential for cataclysmic extremes—offered an alternative to the ordered world of Enlightenment thought.
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/roma
Baroque architects, artists, and urban planners so magnified and invigorated the classical and ecclesiastical traditions of the city that it became for centuries after the acknowledged capital of the European art world.
To remedy this situation, Pope Sixtus V (r. 1585–90) promoted his vision of “Roma
From an imperial villa in Boscotrecase, near Pompeii (Santini 1905; Alexander 1929). 1903-4, excavated by Ernesto Santini from an imperial villa on his property at Boscotrecase; from 1904, collection of E
Antica Scoperta: Le Pitture della Casa di Livia, Vol. 3, Fasc. 3. no. 5, p. 27, Roma
Dado PanelThe room in Nishapur, Iran, from which this dado panel was excavated once had a lively scheme of painted decoration. The upper section of the wall was colored a deep red, beneath which was a short horizontal frieze of hexagons and diamonds, and a four-foot-high dado with alternating rectangular and square panels
Serie orientale Roma, 73.
