Dein Suchergebnis zum Thema: Roma

From Tomb 128 of the Valle Trebba necropolis, ancient Etruscan city of Spina (near modern Comacchio, Emilia Romagna, Italy)1924, excavated from Tomb 128 of the Valle Trebba necropolis by the Soprintendenza alle Antichità per l’Emilia; by December 1925, with the Soprintendenza alle Antichità dell’Emilia e della Romagna; 1935-present, collection of Reale Museo di Spina, Ferrara (now the National Archaeological Museum of Ferrara)
"Il rito segreto : Misteri in Grecia e a Roma, Catalogo della mostra."

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
dell’Arco di Costantino e dell’Anfiteatro Flavio detto il Colosseo), from "Vedute di Roma

The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
"Velázquez en Roma."

L’arte in Roma dal sec. VIII al XIV. Bologna: L.

L’arte in Roma dal sec. VIII al XIV. Bologna: L.

In Romantic art, nature—with its uncontrollable power, unpredictability, and potential for cataclysmic extremes—offered an alternative to the ordered world of Enlightenment thought.
New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/roma

Roma: Retablo, 2004. p. 197, no. 22, ill.

Baroque architects, artists, and urban planners so magnified and invigorated the classical and ecclesiastical traditions of the city that it became for centuries after the acknowledged capital of the European art world.
To remedy this situation, Pope Sixtus V (r. 1585–90) promoted his vision of “Roma

From an imperial villa in Boscotrecase, near Pompeii (Santini 1905; Alexander 1929). 1903-4, excavated by Ernesto Santini from an imperial villa on his property at Boscotrecase; from 1904, collection of E
Antica Scoperta: Le Pitture della Casa di Livia, Vol. 3, Fasc. 3. no. 5, p. 27, Roma

Dado PanelThe room in Nishapur, Iran, from which this dado panel was excavated once had a lively scheme of painted decoration. The upper section of the wall was colored a deep red, beneath which was a short horizontal frieze of hexagons and diamonds, and a four-foot-high dado with alternating rectangular and square panels
Serie orientale Roma, 73.