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INAH). He has served as a visiting professor at the Sorbonne, the Università di Roma
Found at Colle del Capitano near Monteleone di Spoleto by Isidoro Vannozzi on February 8, 1902 (Scientific American 1903, p. 385; Robinson 1906, p. 83). 1902, discovered by Isidoro Vannozzi; [purchased by Benedetto Petrangeli from I
Carri da Guerra e Principi Etruschi. pl. 12–13, Roma: L’Erma di Bretschneider.
According to Giorgio Vasari, The Holy Family with the Young Saint John the Baptist, one of the artist’s greatest late works, was painted for the Florentine Giovanni Borgherini. The biographer described the subject of the painting as „the Virgin, an infant St
Buonarroti, Jacopino del Conte, Daniele Ricciarelli: Ritratto e figura nel manierismo a Roma
The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
Roma: Viella: Masaryk University Press, 2020. pp. 40–49, fig. 1.
This picture and its pendant (1970.134.2) formed a series of possibly five panels illustrating the life of Saint John the Baptist
. ; VICTORIA (victory); S C; PACOS ([the establishment of] peace); ROMA (Rome); S
In one remarkable decade, Sargent gained acclaim with bold portraits and figure paintings that challenged artistic conventions.
The Spanish Dance John Singer Sargent ca. 1879-1882 Spanish Roma Woman John Singer
Catherine Benincasa was born in Siena about 1347, died in 1380, and was canonized in 1461. She was a member of the Dominican order, a mystic, and minister to the poor and plague-stricken. This picture illustrates Saint Catherine’s miraculous levitation and exchange of her bloody heart with Christ
Luigi Spezzaferro in Siena & Roma: Raffaello, Caravaggio e i protagonisti di un legame
This study for the unrealized bronze equestrian monument to the Milanese duke Francesco Sforza — one of the most ambitious sculptural monuments of the Renaissance – was made by the Florentine master Antonio Pollaiuolo, probably before the celebrated commission was awarded to Leonardo da Vinci in the mid-1480s
spesa computato mettallo maestiero et ogni altra cosa per che volemo si vedi ad roma
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Galleria del Senatore Luciano Bonaparte, Roma. 1808, vol. 1, p. 73, no. 40 [see Ref
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Galleria del Senatore Luciano Bonaparte, Roma. 1808, vol. 1, p. 73, no. 40 [see Ref
