Meintest du rosa?
Baroque architects, artists, and urban planners so magnified and invigorated the classical and ecclesiastical traditions of the city that it became for centuries after the acknowledged capital of the European art world.
To remedy this situation, Pope Sixtus V (r. 1585–90) promoted his vision of “Roma
Dado PanelThe room in Nishapur, Iran, from which this dado panel was excavated once had a lively scheme of painted decoration. The upper section of the wall was colored a deep red, beneath which was a short horizontal frieze of hexagons and diamonds, and a four-foot-high dado with alternating rectangular and square panels
Serie orientale Roma, 73.
Inscription: Inscribed on the breastplate: CRISTVS . RES . VENIT . IN . PA/CE . ET . DEVS . HOMO . FACTVS . ES[t] (Christ the King came in peace and God was made man); on the backplate: IESVS
D’indipendenza Italiana: Con Gli Assedi Di Milano, Napoli, Firenze, Il Sacco Di Roma
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Robbins Peter Rodda and Vincenza Scarpaci Rama Rodvien Gloria Roma R.
They are thus comparable to figures such as Roma or Britannia, which in western art
The magnificent volute-krater on loan from Ferrara.
Aurigemma, La necropoli di Spina in Valle Trebba, Roma, Ed.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Collections Cataloguing Orfeo Cellura holds a dual PhD in Art History (Universit� di Roma
Learn more about the themes explored in The Met Fifth Avenue galleries of Heavenly Bodies: Fashion and the Catholic Imagination.
explores these connections in his „ecclesiastical fashion show,“ a scene from his film Roma
Case depth without lid: 9.25 in. (23.5 cm)3-octave span: 19.5 in. (49.5 cm)Length of longest string: 74.25 in. (188.6 cm)Length of shortest string: 4.75 in. (12 cm)Length of c2: 11 in
„Antitchi strumenti in un moderno museo: Museo Nazionale Strumenti Musciali–Roma
Saint Matthew is shown seated in a dark interior lit by an oil lamp and assisted by an angel in his writing of the gospel. The diminutive scenes in the background, whose subjects have been debated, relate to his life as presented in the Golden Legend
„Scarlatto come il rosso veneziano: Lotto, Cariani e Savoldo a Roma.“
