Meintest du rosa?
Found at Colle del Capitano near Monteleone di Spoleto by Isidoro Vannozzi on February 8, 1902 (Scientific American 1903, p. 385; Robinson 1906, p. 83). 1902, discovered by Isidoro Vannozzi; [purchased by Benedetto Petrangeli from I
Carri da Guerra e Principi Etruschi. pl. 12–13, Roma: L’Erma di Bretschneider.
Modelle e Modelli Ciociari nell’Arte Europea a Roma, Parigi, Londra nel 1800–1900
According to Giorgio Vasari, The Holy Family with the Young Saint John the Baptist, one of the artist’s greatest late works, was painted for the Florentine Giovanni Borgherini. The biographer described the subject of the painting as „the Virgin, an infant St
Buonarroti, Jacopino del Conte, Daniele Ricciarelli: Ritratto e figura nel manierismo a Roma
The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
Roma: Viella: Masaryk University Press, 2020. pp. 40–49, fig. 1.
In one remarkable decade, Sargent gained acclaim with bold portraits and figure paintings that challenged artistic conventions.
The Spanish Dance John Singer Sargent ca. 1879-1882 Spanish Roma Woman John Singer
This picture and its pendant (1970.134.2) formed a series of possibly five panels illustrating the life of Saint John the Baptist
. ; VICTORIA (victory); S C; PACOS ([the establishment of] peace); ROMA (Rome); S
Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
Roma / 1756 Abbé Louis Gougenot, later Abbé de Chezal-Benoît, Rome and Paris
Catherine Benincasa was born in Siena about 1347, died in 1380, and was canonized in 1461. She was a member of the Dominican order, a mystic, and minister to the poor and plague-stricken. This picture illustrates Saint Catherine’s miraculous levitation and exchange of her bloody heart with Christ
Luigi Spezzaferro in Siena & Roma: Raffaello, Caravaggio e i protagonisti di un legame
This painting, one of Bor’s finest works, dates from about 1640. Its subject and its relationship to a similar picture in the Rijksmuseum, Amsterdam, have been debated, but it is likely that the two canvases were painted as a pair and depict the complementary stories of the disillisioned Medea and Cydippe with Acontius’s apple (see fig
"Artisti nella Roma seicentesca." Paragone 6 (November 1955), p. 25.
This study for the unrealized bronze equestrian monument to the Milanese duke Francesco Sforza — one of the most ambitious sculptural monuments of the Renaissance – was made by the Florentine master Antonio Pollaiuolo, probably before the celebrated commission was awarded to Leonardo da Vinci in the mid-1480s
spesa computato mettallo maestiero et ogni altra cosa per che volemo si vedi ad roma
