Dein Suchergebnis zum Thema: Nation

Mountains Memory, Variation Kay WalkingStick (American and Citizen of the Cherokee Nation

Creative risks. Artistic choices. Leaps of imagination and ventures for profit. The Met’s wide-ranging collection of British art and design from 1500 to 1900 captures a bold, entrepreneurial spirit and complex social and political history. The objects within embody a Both As
anxiety inflect Britain’s ambition to transform itself from an isolated island nation

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
areas of interest are modern Latin American art and architecture, and questions of nation-building

Signature: (at left) PM (engraved)Inscription: Each letter separately struck with a die, not engraved. (on upper part of rim)INCEPTANT FACINVS (QVASI NVLLVS IN ORBE SVPERSTES IAM, FORET) E LOTHO FLEBILE PROGENITÆ(on lower part of rim)NAM FOEDE PATRIVM TENTANT[A] (obliterated) TEMERARE CVBILE OBRVTA VT EST VINO MENS, RATIOQVE VIRI „Lot’s daughter attempts a disgraceful deed-(as though already no man remained on earth-)
"British Silver: The Wealth of a Nation," May 15, 2012–January 20, 2013.

the artist, Birmingham, Ala. (1994–96; in 1996 to Arnett); William S. Arnett, Atlanta (1996–2012; his gift in 2012 to Souls Grown Deep); Souls Grown Deep Foundation, Atlanta (2012–14; their gift to MMA)
Mountains Memory, Variation Kay WalkingStick (American and Citizen of the Cherokee Nation

government devoted considerable resources to art education in schools, as a means of nation

Inscription: At top, an intaglio cut of Virgin signed „Troncoso exc“. Text in Latin (Magnae Matri salutis parenti optimae…). Ornamental border possibly a stereoptyped metal cut. Mexico, apud Haeredes D
section above a Latin inscription that reads, "She hath done this for no other nation

Inscription: Letterpress title: Legítimos versos de Lino Zamora traidos del Real de Zacatecas [followed by verse (continued on verso) where along the bottom is the date and address of publisher]
published) Broadsheet with verse relating to Don Luis Cabrera (’scourge of the nation

Istanbul, 1901–Zürich, 1973
to shoot a film about the country’s ongoing transformation into a modern secular nation

[America in the 1940s and ’50s] saw the apotheosis of photojournalism and few photographers were unaffected by its rise, whether they joined the bandwagon or reacted against it.
penetrated the country’s sunny facade to discover a newly powerful yet vulnerable nation