The silversmithing firm established in Boston in 1808 by Thomas Fletcher and Sidney Gardiner, and relocated to Philadelphia three years later, produced silver of unprecedented quality and grandeur. This exhibition is the first devoted entirely to their work and its
All Past Exhibitions Silversmiths to the Nation: Thomas Fletcher and Sidney Gardiner
Explore Dream Catcher by Marie Watt (Seneca Nation), featured in the exhibition Art
Colloquium, explore Dream Catcher by interdisciplinary artist Marie Watt (Seneca Nation
… although Americans had begun to identify themselves as a nation, they were divided
Rumney ca. 1860 The United States became a continental nation with the purchase
Current Met fellows share brief presentations on their research while exploring related scholarly questions.
Inscription: a) Left panel:Written on back of wood panel (in blue paint): [arrow pointing up] / 7.8.04 / ‚Wallowa Mts. Memory Var. / #404 / Kay WalkingStick / left side / gold leaf & o / wood panel / 36″ x 72″b) Right panel:Written on back of wood panel (in blue paint): [arrow pointing up] / 7
Mountains Memory, Variation Kay WalkingStick American and Citizen of the Cherokee Nation
Berlin, 1914—Neilly-sur-Seine, 2007
Berggruen sold his collection, which featured over 120 works by Picasso, to the German nation
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Native America: Three Perspectives Explore� Dream Catcher by Marie Watt (Seneca Nation
Current Met fellows present talks, readings, musical performances, and other in-gallery activations.
mobilized the monumental aesthetics of modernism to produce images and stories of the nation
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Will Wilson Will Wilson’s photography, rooted in his upbringing on the Navajo Nation
This collection comprises audio recordings of the five panel discussions from the Harlem on the Mind of Its People symposium in 1969, held in conjunction with the exhibition Harlem on My Mind.
Association and is represented by Ya Sanaa Gallery; Max Kozloff, art critic, The Nation
