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ÃŒgùn ẸÌ�rá»�Ì€nwwá»�Ì€n (brass-casting guild) artists – Plaque with equestrian á»�Ì�bà (king) and attendants – Edo peoples – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/310752?exhibitionId=%7Bcccf475e-a765-4906-8769-f0ed17d2d95a%7D&oid=310752&pkgids=232&pg=1&rpp=4&pos=3&ft=*&locale=en

Commissioned by Ẹsìgie (r. ca. 1517–50) or Òrhògbùà (r. ca. 1550–70), Benin City; by descent to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); taken from the Royal Palace in 1897 during the British military occupation of Benin; Norman Burrows, Mellon Hall, Maple Bridge, Derbyshire, UK, until 1898; Augustus Pitt-Rivers, Farnham, Dorset, UK, 1898–1957; [K
Traditional Art of the African Nations in the Museum of Primitive Art.

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Theater and Amphitheater in the Roman World – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/theater-and-amphitheater-in-the-roman-world

The principal occasions for dramatic spectacles in the Roman world were yearly religious festivals, or ludi, organized by elected magistrates and funded from the state treasury. Temple dedications, military triumphs, and aristocratic funerals also provided opportunities for scenic performances.
theater was decorated with statues of the goddess Victory and personifications of the nations

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