Dein Suchergebnis zum Thema: Nation

Brush Writing in the Arts of Japan | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2013/brush-writing

Showcasing masterworks of brush-inscribed Japanese texts, some serving as independent works of art and others enhanced by decorated papers or by paintings, this exhibition takes a close look at the original gestural movement marked in each work—the applied pressure, speed, and rhythm that are said to reflect the artist’s state of mind.
have prostitutes played such a prominent and important part in the culture of a nation

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ÃŒgbèsànmwà (ivory- and wood- carving guild) artists – Pendant mask of ÃŒyá»�Ì�bà Idià – Edo – The Metropolitan Museum of Art

https://www.metmuseum.org/Collections/search-the-collections/318622

Commissioned by Ẹsìgie (r. ca. 1517–50), Benin City; by descent to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor, 1897; Sir Ralph Moor and his wife, Adrienne Moor, London, 1897–1909; John Sparks, London, 1909; Prof
In 1960 with the establishment of the Federation of Nigeria as a nation, Benin City

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ÃŒgbèsànmwà (ivory- and wood- carving guild) artists – Pendant mask of ÃŒyá»�Ì�bà Idià – Edo – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/318622

Commissioned by Ẹsìgie (r. ca. 1517–50), Benin City; by descent to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor, 1897; Sir Ralph Moor and his wife, Adrienne Moor, London, 1897–1909; John Sparks, London, 1909; Prof
In 1960 with the establishment of the Federation of Nigeria as a nation, Benin City

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Joseph Mallord William Turner – Saltash with the Water Ferry, Cornwall – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437852

The son of a London barber and wigmaker, Turner dominated English landscape and marine painting in the first half of the nineteenth century. He studied in the Royal Academy schools from 1789 and first showed a painting at the Royal Academy exhibition in 1796; he was elected an academician in 1802 and continued to exhibit until 1850
Turner’s death in 1851, the contents of his studio became the property of the nation

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