Hear from barber Joshua Livingston about the power of community spaces to support connection and well-being, whether when visiting an art museum or getting a haircut.
Like we chose Mountain Peak White paint from Benjamin Moore, instead of just any
"Degas and George Moore: Some Observations about the Last Impressionist Exhibition
Mosque LampLarge and impressive glass lamps such as this one in the shape of footed vases with enameled decoration and suspension rings attached around their body were commissioned by sultans and members of their court for mosques, madrasas (Qur’anic schools), tombs, hospices, and other public buildings in 14th-century Mamluk Cairo
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."
Marianne Moore and the Visual Arts: Prismatic Color.
Moore. The Dialectic Norm of Nineteenth and Twentieth Century Art.
In a flush of optimism following the Civil War, a group of businessmen, civic leaders, and artists determined to found an art museum in New York City. They took the first concrete step toward this goal on April Making We Scheduled The In These Above
Moore Jr., son of the Tiffany &Co. designer and early Met benefactor, made a multiyear
Objects conservator Deborah Schorsch recounts the long history of conservation at The Met
The man working the press is likely his assistant, Walter Moore.
This parlor comes from a house built in Petersburg, Virginia, in 1811, but prominently features furniture made in New York City from the same period. Like the nearby Baltimore and Haverhill Rooms, the Benkard Room exemplifies the popularity of Robert and James Adam’s Neoclassical taste in the young United States.
According to its earliest fire insurance policy, the Moore House, from which this
Silk FragmentsThese seven vibrant, colorful fragments once belonged to a square-shaped Iranian silk textile. At the center, there is a symmetrical floral pattern, composed of a gridlike structure with scrolling leafy branches and alternating red-and-blue stylized lotus blossoms, all set against a golden yellow ground made of metallic thread wrapped around yellow silk
Moore Collection, Bequest of Edward C.
cotton tulle, linen, and lace and natural raffia Photograph courtesy of Chris Moore
