to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor – , 1897; Sir Ralph Moor and his wife, Adrienne Moor, London, 1897–1909; John Sparks
Òv��nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor
to Òvá»�Ì�nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor – , 1897; Sir Ralph Moor and his wife, Adrienne Moor, London, 1897–1909; John Sparks
Òv��nránmwẹ̀ (r. 1889–97); removed from the Royal Palace by Sir Ralph Moor
The limpid light of North Africa awakened [Paul Klee’s] sense of color. During his stay, Klee gradually detached color from physical description and used it independently, which gave him the final needed push toward abstraction.
1923 Static-Dynamic Gradation Paul Klee 1923 Ventriloquist and Crier in the Moor
„Humor and Fantasy—The Berggruen Paul Klee Collection“ features some 70 works from this collection—the largest collection of Klee in the United States—which spans the artist’s entire career.
Ventriloquist and Crier in the Moor (detail), 1923.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Edith Lawrence ca. 1930 Promenade No.1 Paul Nash 1920 A Road, Perhaps Over a Moor
In the contemporary postcolonial era, the influence of traditional African aesthetics and processes is so profoundly embedded in artistic practice that it is only rarely evoked as such.
1912 Reclining Nude Amedeo Modigliani 1917 Ventriloquist and Crier in the Moor
Kenneth Moore, Frederick P.
Kenneth Moore, Jayson Kerr Dobney, and E.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Moore (1827–1891)—the creative force who led Tiffany & Co. to unparalleled originality
Kenneth Moore. „Recent Acquisitions: A Selection, 2014-2016.“
Kenneth Moore. „Recent Acquisitions: A Selection, 2014-2016.“
Curator Ken Moore looks back at a recent visit by pipa player Wu Man, who recorded
Wu Man (left) and Ken Moore (right) pose with The Met’s Ming dynasty pipa.
