Signed by Nearchos – Terracotta aryballos (oil flask) – Greek, Attic – Archaic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/252451
Moore, Mary B. 2016. „Sophilos and Early Greek Narrative.“
Moore, Mary B. 2016. „Sophilos and Early Greek Narrative.“
A library of educational resources on racial justice compiled by employees of The Met.
Cartography: A Black Woman’s Response to Museums in the Time of Racial Uprising (Porchia Moore
This international loan exhibition explores the achievements of the great northern Renaissance master, Pieter Coecke van Aelst (1502–1550).
for victuals for the horses, the marquis Alarcón went out for them, and so many Moors
Gainsborough was an avid amateur player, and through his extensive correspondence with composer Carl Friedrich Abel, we learn of his love of the instrument, specifically his desire to “take [my] Viol da Gamba and walk off to some sweet Village when I can print Landskips and enjoy the fag End of Life in quietness and ease.”
of the viol is the rabab ( 89.4.403), a bowed string instrument played by the Moors
Stand for a Qur’an Manuscript (Rahla) A masterpiece of design, this carved book stand, or rahla, is made from a single slab of teak and is framed by inlays composed of various woods in shades of brown and black
Ekhtiar, Maryam, and Claire Moore, ed. „A Resource for Educators.“
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Kenneth Moore, Jeffrey Munger, Miyeko Murase, Morihiro Ogawa, Nadine M.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Kenneth Moore, Jeffrey Munger, Miyeko Murase, Morihiro Ogawa, Nadine M.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
He has held fellowships at the Terra Foundation for American Art and the Henry Moore
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
Sturge Moore. Correggio.