Dagger with Jade Hilt in the Form of a NilgaiLively animal sculpture has been a staple of Indian art, not least under the Mughals, who loved, respected, and understood animals, often in the paradoxical way of hunters
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Moore at Tiffany & Co. (2024).
Bowl Produced in northeastern Iran, in the province of Khurasan during the Samanid period, this large bowl with its high, flaring sides and bold, rhythmically spaced inscription in „new-style“ script exemplifies the elegance and perfect harmony of the „black-on-white wares“ unearthed in the cities of Nishapur and Samarqand
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."
Tile This image of a soaring phoenix with crested head and elaborate plumage, surrounded by swirling clouds, is a striking example of the adaptation of Chinese imagery by Persian artists
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."
Moore, Mary B. 2016. "Sophilos and Early Greek Narrative."
Objects conservator Deborah Schorsch recounts the long history of conservation at The Met
The man working the press is likely his assistant, Walter Moore.
This exhibition tells the story of how the Museum built its comprehensive collection of Japanese art beginning in the early 1880s, when it owned just a small, eclectic array of Japanese decorative arts.
Moore (1827–1891), and Mr.
Textile FragmentThe royal textile factories of al-Andalus were famous throughout the medieval world in a period when luxury textiles constituted one of the most valuable possessions in a ruler’s treasury as well as in the trousseaux of wealthy brides
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."
A library of educational resources on racial justice compiled by employees of The Met.
Cartography: A Black Woman’s Response to Museums in the Time of Racial Uprising (Porchia Moore
This international loan exhibition explores the achievements of the great northern Renaissance master, Pieter Coecke van Aelst (1502–1550).
for victuals for the horses, the marquis Alarcón went out for them, and so many Moors
