Dein Suchergebnis zum Thema: Moor

[By 1964 and until 1973, with Herbert Cahn, Basel]; 1973, purchased by Rosemary and George Lois from Herbert Cahn; 1973-2010, collection of Rosemary and George Lois, New York; on loan to the Metropolitan Museum of Art in 1973, 1992, and 1999; acquired in 2010, purchased from Rosemary and George Lois through Bobbie Entwistle of Entwistle London
Moore, Mary B. 2013.

Paris. Institut du Monde Arabe. „Venise et l’Orient,“ October 2, 2006–February 18, 2007.New York. The Metropolitan Museum of Art. „Art and Love in Renaissance Italy,“ November 11, 2008–February 16, 2009
Turkey, while the short section on Africa and Asia includes the costume of Persians, Moors

Germany 1901–Buckinghamshire, Britain, 1991, and Stuttgart, Germany, 1895–Buckinghamshire, England, 1989
the monumental bronze sculpture Draped Reclining Woman (1957–58; Tate) by Henry Moore

Two Ceramic Tiles (nos. 02.5.91 and 1971.235.2)Major renovations undertaken about 1578 in the private quarters (or harem) of Istanbul’s Topkapı Palace during the reign of Sultan Murad III (r
Ekhtiar, Maryam, and Claire Moore, ed. „A Resource for Educators.“

In performance, Nō’s austere bare stage and the severe elegance of its powerful masks combine with the multiple layers of shimmering costume to give the actor an oversized sculptural presence as he moves with the music and chanting of the chorus.
Moore ( 91.1.62), silver designer for Tiffany and Co.

Abel, Ulf, and Vera Moore. Icons. Stockholm: Nationalmuseum, 2002. p. 26.

Kenneth Moore, Bradley Strauchen-Scherer, Jayson Kerr Dobney.

From Vulci, Italy (Bonaparte 1829, p. 112, no. 1193) March 1829, excavated in Vulci; collection of Lucien Bonaparte, 1st Prince of Canino; until 1914, collection of Edward J. Jekyll; [1914, purchased by Edward Perry Warren through Christie, Manson, and Woods, London (E
Moore, Mary B. 1999.

TileFour deeply molded interlaces of foliated scrolls, which lie along a central axis, embellish this polychrome-glazed border tile. The sophisticated rendering of the design was achieved through the use of a contrasting palette of white, turquoise, and dark blue with yellow and gold accents that highlight the axis of the ogee-shaped vine scrolls
Kenneth Moore. „Recent Acquisitions: A Selection, 1997–1998; Islam.“

Dagger with Jade Hilt in the Form of a NilgaiLively animal sculpture has been a staple of Indian art, not least under the Mughals, who loved, respected, and understood animals, often in the paradoxical way of hunters
Ekhtiar, Maryam, and Claire Moore, ed. „A Resource for Educators.“