Chicago, 1904—Santa Barbara, 1981, and Chicago, 1905—Santa Barbara, 1987
abstract painting and sculpture produced by artists such as Sam Francis, Henry Moore
Kenneth Moore, Bradley Strauchen-Scherer, Jayson Kerr Dobney.
CapitalMasterfully carved, this Corinthian-style capital must have originally decorated a colonnaded hall or courtyard arcade in one of the lavishly embellished palaces erected during the tenth century under the patronage of the Umayyad dynasty in and around Cordoba, its capital
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."
Kenneth Moore, Bradley Strauchen-Scherer, Jayson Kerr Dobney.
Two Ceramic Tiles (nos. 02.5.91 and 1971.235.2)Major renovations undertaken about 1578 in the private quarters (or harem) of Istanbul’s Topkapı Palace during the reign of Sultan Murad III (r
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."
In performance, Nō’s austere bare stage and the severe elegance of its powerful masks combine with the multiple layers of shimmering costume to give the actor an oversized sculptural presence as he moves with the music and chanting of the chorus.
Moore ( 91.1.62), silver designer for Tiffany and Co.
Abel, Ulf, and Vera Moore. Icons. Stockholm: Nationalmuseum, 2002. p. 26.
Richter, Gisela M. A. 1912. „Early Attic Vase.“ Bulletin of the Metropolitan Museum of Art, 7(4): pp. 68–71.Richter, Gisela M. A. 1917. Handbook of the Classical Collection. p
Moore, Mary B. 2003. "The Passas Painter: A Protoattic ‚Realist‘?."
Moore J. Kenneth, Bradley Strauchen-Scherer, and Jayson Kerr Dobney.
Kenneth Moore, Bradley Strauchen-Scherer, Jayson Kerr Dobney.
