Dein Suchergebnis zum Thema: Moor

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Moore at Tiffany & Co. (2024).

Bowl Produced in northeastern Iran, in the province of Khurasan during the Samanid period, this large bowl with its high, flaring sides and bold, rhythmically spaced inscription in „new-style“ script exemplifies the elegance and perfect harmony of the „black-on-white wares“ unearthed in the cities of Nishapur and Samarqand
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."

Tile This image of a soaring phoenix with crested head and elaborate plumage, surrounded by swirling clouds, is a striking example of the adaptation of Chinese imagery by Persian artists
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."

This exhibition tells the story of how the Museum built its comprehensive collection of Japanese art beginning in the early 1880s, when it owned just a small, eclectic array of Japanese decorative arts.
Moore (1827–1891), and Mr.

Textile FragmentThe royal textile factories of al-Andalus were famous throughout the medieval world in a period when luxury textiles constituted one of the most valuable possessions in a ruler’s treasury as well as in the trousseaux of wealthy brides
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."

Mihrab (Prayer Niche)This prayer niche, or mihrab, was originally an architectural element in a theological school (madrasa) in the city of Isfahan. An inscription in the courtyard of this former school, now known as Madrasa Imami, is dated to the year A
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."

Mosque LampThis lamp has a flattened, almost globular body with a long flared neck and a low folded foot. Three suspension loops are attached to the body. The enameled and gilded decoration consists of three main registers and four narrower bands of continuous vegetal patterns
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."

This picture is one of four whaling subjects by Turner; the other three form part of the artist’s bequest at Tate Britain, London. The Met’s painting and another of the same title were shown at the Royal Academy in 1845, receiving a mixed reception
Moore. That Cunning Alphabet: Melville’s Aesthetics of Nature.

Kenneth Moore, Bradley Strauchen-Scherer, Jayson Kerr Dobney.

Moore Collection, Bequest of Edward C.