Edgar Degas – Dancers Practicing at the Barre – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436139
George Moore. „Degas: The Painter of Modern Life.“
George Moore. „Degas: The Painter of Modern Life.“
Tughra of Sultan Süleyman the MagnificentThe Ottoman Turkish sultans controlled one of the most efficient, well-organized, and effective governmental bureaucracies of early modern times; at the apex of this governmental structure was the Ottoman Imperial Chancery, which created, copied, and recorded all official governmental orders or decrees, known as firman, as well as treaties and official correspondence
Ekhtiar, Maryam, and Claire Moore, ed. „A Resource for Educators.“
Bibliography of The Met’s Photograph Conservation department
Casella, Luisa and Camille Moore.
The New York Dutch Room is a main chamber, or groote kaner in Dutch, and comes from a house built in 1751 for Daniel Pieter Winne, whose ancestors moved to Rensselaerswyck from Flanders via Curacao in 1643.
Moore, 1923 (23.80.17). Right: Tumbler, ca. 1691. American.
The canvas is signed and dated 1647, a year after Charles Le Brun, the future premier peintre du roi under Louis XIV, returned to Paris from a period of study in Rome. In Paris, where he had been the pupil of François Perrier and spent time in the workshop of Simon Vouet, his work had caught the attention of Nicolas Poussin, who had returned to the French capital to work for the king in 1640
Susan Moore. „The Art Market.“ Apollo 177 (April 2013), p. 68, fig. 2 (color).
New York, nineteenth century
Historical Society) lends an elfish face to the character developed by Clement Clarke Moore
Hear from barber Joshua Livingston about the power of community spaces to support connection and well-being, whether when visiting an art museum or getting a haircut.
Like we chose Mountain Peak White paint from Benjamin Moore, instead of just any
„Degas and George Moore: Some Observations about the Last Impressionist Exhibition
Mosque LampLarge and impressive glass lamps such as this one in the shape of footed vases with enameled decoration and suspension rings attached around their body were commissioned by sultans and members of their court for mosques, madrasas (Qur’anic schools), tombs, hospices, and other public buildings in 14th-century Mamluk Cairo
Ekhtiar, Maryam, and Claire Moore, ed. „A Resource for Educators.“
Marianne Moore and the Visual Arts: Prismatic Color.