Dein Suchergebnis zum Thema: Moor

Kenneth Moore. "Africa, Oceania, and the Americas."

Study the relationship between the human and natural worlds in art, as well as the techniques artists use to convey ideas, by exploring a painting by Frederic Edwin Church in the Museum’s American Wing. Extend the lesson through a writing and drawing activity in the classroom, or a sketching activity outdoors.
Museum of Art, New York, Rogers Fund, 1919 (19.164) Authors: Sofia Gans and Claire Moore

Moore, Mary B. 2004. "Horse Care as Depicted on Greek Vases before 400 B.C.."

Grammy Winners at the Met Ken Moore, Frederick P.

[By 1964 and until 1973, with Herbert Cahn, Basel]; 1973, purchased by Rosemary and George Lois from Herbert Cahn; 1973-2010, collection of Rosemary and George Lois, New York; on loan to the Metropolitan Museum of Art in 1973, 1992, and 1999; acquired in 2010, purchased from Rosemary and George Lois through Bobbie Entwistle of Entwistle London
Moore, Mary B. 2013.

Paris. Institut du Monde Arabe. „Venise et l’Orient,“ October 2, 2006–February 18, 2007.New York. The Metropolitan Museum of Art. „Art and Love in Renaissance Italy,“ November 11, 2008–February 16, 2009
Turkey, while the short section on Africa and Asia includes the costume of Persians, Moors

Germany 1901–Buckinghamshire, Britain, 1991, and Stuttgart, Germany, 1895–Buckinghamshire, England, 1989
the monumental bronze sculpture Draped Reclining Woman (1957–58; Tate) by Henry Moore

Two Ceramic Tiles (nos. 02.5.91 and 1971.235.2)Major renovations undertaken about 1578 in the private quarters (or harem) of Istanbul’s Topkapı Palace during the reign of Sultan Murad III (r
Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators."

In performance, Nō’s austere bare stage and the severe elegance of its powerful masks combine with the multiple layers of shimmering costume to give the actor an oversized sculptural presence as he moves with the music and chanting of the chorus.
Moore ( 91.1.62), silver designer for Tiffany and Co.

Abel, Ulf, and Vera Moore. Icons. Stockholm: Nationalmuseum, 2002. p. 26.