Fantômas by Juan Gris https://www.nga.gov/artworks/56101-fantomas
3] sold by 1958 to Heinz Berggruen, Paris, until at least 1966.[4] Horst Pavel, Bad
3] sold by 1958 to Heinz Berggruen, Paris, until at least 1966.[4] Horst Pavel, Bad
Daphne, a beautiful mountain nymph, had the bad luck of attracting the affection
How the Diné artist’s serene paintings „tell the story of knowing land over time.“
� Whitehorse recalls. “And I never approach a canvas when I’m angry or in a bad
Rosenwald Collection, 1943.3.5951 More details about "1588" Close Modal "1973 – bad
This painting of the Crucifixion by Andrea di Vanni (Sienese, c. 1330 – 1413) reflects a growing concern among 14th-century artists to historicize the Biblical narrative.
Provocative details, such as the brutal smashing of the Bad Thief’s legs or the
How our conservators have cared for the fragile wax sculpture, preserving it decades longer than anyone thought possible.
Many were in a bad state.
A profound appreciation for the paintings of Dutch artist Johannes Vermeer unites these three people—and many others.
Finding Comfort in Vermeer’s Quiet Humor When Arne Neumeyer went through a bad
Gervaise considers her prospects: “Her dream was to live amongst good people because bad
This three-part altarpiece by the painter Andrea di Vanni reflects a growing concern among 14th-century artists to historicize the Biblical narrative. To accomplish this, Andrea endeavored to recreate, with the greatest possible accuracy, the events surrounding Christ’s Passion.
pouring from Jesus’s face as he prays in the garden or the brutal smashing of the Bad