Dein Suchergebnis zum Thema: Bad

University Wyeth Lecture in American Art, 2013 Between the Lines: Philip Guston and “Bad

Collection, University of Notre Dame Art Gallery, Notre Dame, IN, 1965. 1968 Good and Bad

One of the great surrealist sculptors, Alberto Giacometti often incorporated themes of games and play into his early work, as with this sculpture. The form the artist used here resembles a board game with moveable pieces, yet the nature of the game is unclear. The ambiguous space and unknowable rules of the “game” represented in No More Play make this feel like an object one might encounter in a dream.
Maybe that’s not a bad way to think about both of these very mysterious sculptures

Drawings from the Collection of the National Gallery of Art, NGA, 1966. 1968 Good and Bad

There are just a few that seem to say: I’m not so bad—you’ll spare me awhile.

History Provenance Professor Wieser, Innsbruck, by 1891.[1] Lacher von Eisack, Bad

History Provenance Professor Wieser, Innsbruck, by 1891.[1] Lacher von Eisack, Bad

History Provenance Professor Wieser, Innsbruck, by 1891.[1] Lacher von Eisack, Bad

Maybe that’s not a bad way to think about both of these very mysterious sculptures

Constant Troyon was one of the leading nineteenth-century animaliers, artists specializing in the depiction of animals in a landscape setting, and he is best known for large-scale bucolic scenes of cattle or sheep dating from later in his career, which ended when his health failed in the late 1850s. The Approaching Storm, in contrast, is an earlier masterpiece.
watercourse a woman and child scurry toward a barge while two ferrymen, faced by bad