„1973 – bad photo of Mike“ by American 20th Century http://www.nga.gov/artworks/218151-1973-bad-photo-mike
Nights Matisse Advanced Artwork Search Breadcrumb Home Artworks „1973 – bad
Dein Suchergebnis zum Thema: Bad
Between the Lines: Philip Guston and “Bad Painting” | National Gallery of Art http://www.nga.gov/stories/videos/between-lines-philip-guston-and-bad-painting
Artwork Search Breadcrumb Home Stories Between the Lines: Philip Guston and “Bad
Stana and Thomas Judy, Robert | National Gallery of Art http://www.nga.gov/artworks/provenance/46388-stana-and-thomas-judy-robert
screenprint on wove paper · Accession ID 2017.148.30 Artwork Lilli Carré, Bad
Dorothea Lange | National Gallery of Art http://www.nga.gov/artists/44358-dorothea-lange
Discover works by Dorothea Lange and learn about the artist
1965) Explore Selected Works See all 178 works of art Artwork Dorothea Lange, Bad
Little House in the Valley | National Gallery of Art http://www.nga.gov/educational-resources/19th-century-america-art-literature/little-house-valley
the “Mathematics Problems about the 1800s” worksheet Warm-Up Question Something bad
Listen If You Ever Tell… by Ed Ruscha, Erik Beehn, James Reid, Aili Schmeltz, Gemini G.E.L. https://www.nga.gov/artworks/141893-listen-if-you-ever-tell
center on plate: Listen If You Ever / Tell I’ll Hurt Your / Mama Real Real Real / Bad
Art that Represents, and Misrepresents, the US-Mexico Border | National Gallery of Art https://www.nga.gov/stories/articles/art-represents-and-misrepresents-us-mexico-border
How contemporary artists working in El Paso and Juárez counter mainstream narratives of the region.
In 2023 Alonso created ‘Bad’ Hyphens Separate; ‘Good’ Hyphens Attach, a thin brass
No More Play, Alberto Giacometti | National Gallery of Art http://www.nga.gov/node/856051
One of the great surrealist sculptors, Alberto Giacometti often incorporated themes of games and play into his early work, as with this sculpture. The form the artist used here resembles a board game with moveable pieces, yet the nature of the game is unclear. The ambiguous space and unknowable rules of the “game” represented in No More Play make this feel like an object one might encounter in a dream.
Maybe that’s not a bad way to think about both of these very mysterious sculptures
Wyeth Foundation for American Art Programs | National Gallery of Art http://www.nga.gov/research/center/programs/wyeth-foundation-american-art-programs
University Wyeth Lecture in American Art, 2013 Between the Lines: Philip Guston and “Bad
Rebecca Salsbury Strand by Alfred Stieglitz https://www.nga.gov/artworks/35696-rebecca-salsbury-strand
There are just a few that seem to say: I’m not so bad—you’ll spare me awhile.