Inscription: (on each corner and in center): A [image of a knot] E [reversed] (unidentified)(on red horn): W [backwards E] D H N O H N M E H O M (too fragmentary for interpretation)
sprießen in der Nähe des Stroms, der durch das magische Horn des Einhorns gereinigt wird
Five case studies for select recent acquisitions demonstrate the varied and complex nature of provenance research at The Met.
assigned inventory numbers to later archive cards, the provenance for Ohne Titel (wird
Monets Jahre in Giverny, Ein Garten wird Malerei.
The Painting: This compact, miniature altarpiece was commissioned for devotions to the Virgin of the Rosary.[1] The rosary refers to both the series of prayers recited, and the string of prayer beads used as a memory device
[4] For the related bibliography, see most recently Dürer war hier, eine Reise wird
Paul Cézanne 1839–1906: Natur wird Kunst. Ed. Ingo F. Walther.
The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
Paul Cézanne 1839–1906: Natur wird Kunst. Ed. Ingo F. Walther.
