The Key Set: 1902–1917 | National Gallery of Art https://www.nga.gov/research/publications/alfred-stieglitz-key-set/key-set-1902-1917
his voyage to Europe as “the ship was driving into the wind—a rather brisk wind
Meintest du wird?
his voyage to Europe as “the ship was driving into the wind—a rather brisk wind
emblem book of 1625, draws a parallel between the mill, which turns only when the wind
agriculture programs to restore productivity to areas of the country swept by dust and wind
The procession winds around a hill, under an ancient arch, and to the manger.
The crowd gathers along a pathway that winds around a rocky mountain at the top middle
Born in 1856 in Florence to expatriate American parents, John Singer Sargent received his first formal art instruction at Rome in 1868, and then sporadically attended the Accademia delle Belle Arti in Florence between 1870 and 1873. In 1874 he was accepted at the Paris atelier of the portraitist Emile Auguste Carolus-Duran , and attended drawing classes at the Ecole des Beaux-Arts.
2015.19.666 Not on view Download artwork Artwork Studies of Notus for "The Winds
Born in 1856 in Florence to expatriate American parents, John Singer Sargent received his first formal art instruction at Rome in 1868, and then sporadically attended the Accademia delle Belle Arti in Florence between 1870 and 1873. In 1874 he was accepted at the Paris atelier of the portraitist Emile Auguste Carolus-Duran , and attended drawing classes at the Ecole des Beaux-Arts.
Accession ID 2015.19.637 Artwork John Singer Sargent, Studies of Notus for "The Winds
Accession ID 1991.125.1 Artwork John Croker, Neptune Contending with Four Winds
2014 – 2015, unnumbered catalogue. 2021 American Weathervanes: The Art of the Winds
Wright’s artistic interests varied widely, ranging from portraiture and scientific topics in his early „candlelight“ period to popular subjects, romantic history, literature, and landscapes in later years. This painting dates from the end of Wright’s career.
A path starting in the lower left corner of the painting winds back into the deep
Curator Alison Luchs explores the craftsmanship and beliefs surrounding this 2nd-century BCE religious sculpture.
of movement that pervades both the stone, the swirling, spiraling veining that winds