Christ at the Sea of Galilee by Alessandro Magnasco https://www.nga.gov/artworks/12129-christ-sea-galilee
His topaz-blue cloak lifts high in the wind behind him.
Meintest du wird?
His topaz-blue cloak lifts high in the wind behind him.
many things, the rough hedgehog just one: on which side of the world the vagrant wind
The Pulitzer Prize-winning poet is inspired by the French painter’s work made “in the lull before history dissolves.”
Play Video BEFORE Jorie Graham it came, before the turn in the cherished wind
teacher at the Pennsylvania Academy of the Fine Arts, George Hitchcock: „The north wind
(Inlets that are deep and sheltered from wind and rough seas.)
This luminous painting depicts Aelbert Cuyp’s native Dordrecht from the west, as seen from a pier near the village of Zwijndrecht, situated on the opposite bank of the river Maas. The three small, wooden, fishing skiffs tied up at the rough-hewn pier help give the painting its rustic charm.
Washington, D.C., 2008-2009, not in catalogue (shown only in Washington). 2018 Water, Wind
The Dutch Republic depended on international commerce and shipping for its wealth and power. Whether traveling on the open sea or through the network of rivers and canals that spread across the low-lying Rhine river delta, Dutch ships carried commodities to and from markets at home and abroad.
Exhibition History 2018 Water, Wind, and Waves: Marine Paintings from the Dutch
Jan van Goyen was one of the great proponents of the innovative “tonal” style of Dutch landscape painting that celebrated local scenes and subjects in hues of brown, gray, and ochre. The tonal landscapes of the 1630s and 1640s ushered in the golden age of Dutch landscape painting, and Van Goyen’s body of work spans the beginnings of this style through its transition into more colorful and atmospheric depictions.
Eugene Slatter Gallery, London, 1949, no. 4, repro., as Skating Scene. 2018 Water, Wind
A humanist and polymath, Alberti in his treatises laid theoretical foundations for Renaissance painting, sculpture, and architecture. This relief is a milestone in the history of portraiture, and it is the earliest independent self-portrait.
Wind, Edgar. Pagan Mysteries in the Renaissance. 1st ed.
In this winter landscape, aristocrats, burghers, countrymen, and orphans take to the ice of the frozen Amstel River. From a young boy propelling himself with sticks on a prikslee (small push-sled) to the group of three stately men with no skates conversing by the riverbank, each of Van Breen’s figures colorfully brings to life the possible actions and interactions of a winter’s day on the ice.
Associated Names John Mitchell Fine Paintings Exhibition History 2018 Water, Wind