Dein Suchergebnis zum Thema: wind

In June 1871, Thomas Moran, a gifted young artist working in Philadelphia, boarded a train that would take him to the far reaches of the western frontier and change the course of his career. Just a few months earlier he had been asked to illustrate a magazine article describing a wondrous region in Wyoming called Yellowstone—rumored to contain steam-spewing geysers, boiling hot springs, and bubbling mud pots.
Captivated by the bands of color that centuries of wind and water had revealed, Moran

Chef and Native American food historian Loretta Barett Oden reflects on her friendship with artist G. Peter Jemison.
The wind is brisk, and I grow weary.

Students will explore nineteenth-century life in the White Mountains of New Hampshire through a tale of a family who lived there by analyzing a painting by Thomas Cole and reading a short story by Nathaniel Hawthorne. They will then write a comparative essay and complete a mathematics worksheet to enhance their perception of American life in the nineteenth century.
rumble down its sides,� “something like a heavy footstep was heard,� the wind

Reinier Nooms, an Amsterdam painter and graphic artist also known as Reinier Zeeman (which means seaman), specialized in maritime subjects. His career coincided with the heyday of Dutch commercial and maritime power in the 17th century, and Amsterdam’s bustling harbor in the IJ estuary provided Nooms with much of his artistic inspiration.
Exhibition History 2018 Water, Wind, and Waves: Marine Paintings from the Dutch

The river continues to wind into the deep distance, where towns nestle along the

With „The Skater,“ Stuart blazed a new path in British portraiture. Its details tell the story of skating in 18th-century Britain.
So Stuart may have caught wind of Joseph Wright’s Two Young Gentleman in the Characters

Gallery Nights Matisse Advanced Artwork Search Studies of Notus for "The Winds

Gallery Nights Matisse Advanced Artwork Search Study for Boreas in "The Winds

This bold composition reveals the influence of the flat, patterned surfaces, simplified color, and unusual angles of Japanese prints, which enjoyed a huge vogue in Paris in the late 1800s. The dark figure of the man compresses the picture onto the flat plane of the canvas, and the horizon is pushed to the top, collapsing a sense of distance.
The corner of the boat’s sail, also painted pale green, is pulled taunt by the wind

Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century , pages 81-87, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
He looks off to our left almost in profile, and his wavy gray hair is wind tousled