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The Voyage of Life: Youth by Thomas Cole

https://www.nga.gov/artworks/52451-voyage-life-youth

Cole’s renowned four-part series traces the journey of an archetypal hero along the „River of Life.“ Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of „Youth“ and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence.
Recenter Visual Description A young man sets out in a golden boat on a river that winds

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A Farm in the Sunlight by Meindert Hobbema

https://www.nga.gov/artworks/67-farm-sunlight

Meindert Hobbema studied under the noted landscape artist Jacob van Ruisdael, and quite a few of his compositions evolved from the work of his erstwhile master. Hobbema approached nature in a straightforward manner, depicting picturesque, rural scenery enlivened by the presence of peasants or hunters.
Beyond them, a low picket fence winds through and between a loose band of shadowy

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Mary, Queen of Heaven by Master of the Saint Lucy Legend

https://www.nga.gov/artworks/41595-mary-queen-heaven

This unusually large panel painting depicts three facets of Marian iconography: the Virgin’s corporeal assumption, the Immaculate Conception—the crescent moon and the radiance behind her identify Mary as the Woman of the Apocalyse, mentioned in Revelation 12:I—and the Coronation of the Virgin.
A river winds from the lower right between the buildings.

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The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [middle panel] by Pietro Perugino

https://www.nga.gov/artworks/30-crucifixion-virgin-saint-john-saint-jerome-and-saint-mary-magdalene-middle-panel

Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most prestigious commissions of the late fifteenth century — the decoration of the walls of the Sistine Chapel in 1481-1482. He headed active workshops in Perugia and Florence, where he would eventually be overshadowed by his greatest pupil, Raphael.
The golden-brown land dips beyond the people, leading down to a river that winds

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The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [left panel] by Pietro Perugino

https://www.nga.gov/artworks/29-crucifixion-virgin-saint-john-saint-jerome-and-saint-mary-magdalene-left-panel

Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most prestigious commissions of the late fifteenth century — the decoration of the walls of the Sistine Chapel in 1481-1482. He headed active workshops in Perugia and Florence, where he would eventually be overshadowed by his greatest pupil, Raphael.
The dirt path on which the man stands winds through low, grass-covered mounds to

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Vijay Iyer and I.M. Pei’s “National Gallery of Art, East Building” | National Gallery of Art

https://www.nga.gov/stories/sound-thoughts-art/vijay-iyer-and-im-peis-national-gallery-art-east-building

Composer-pianist Vijay Iyer describes the East Building as a work of art that does what music does: invites you in—to inhabit, explore, and be among others. He responds with pieces that balance pattern and structure with leaving room to wander.
Brentano Quartet, Ethel, Imani Winds, Bang on a Can All-Stars, International Contemporary

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The Mill by Rembrandt van Rijn

https://www.nga.gov/artworks/1201-mill

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Silvery water winds around the base of the promontory and extends to a dark green

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