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Door Knocker with Nereid, Triton, and Putti by Jacopo Sansovino

https://www.nga.gov/artworks/56932-door-knocker-nereid-triton-and-putti

Renaissance bronze sculpture often served practical functions. This doorknocker is one of the finest examples of a specialty of the city of Venice, where Jacopo Sansovino dominated sculptural and architectural projects for some forty years.
The male’s outstretched left arm unites them, and each figure’s outer arm winds up

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Imaginary River Landscape by Herman Saftleven

https://www.nga.gov/artworks/208068-imaginary-river-landscape

Imaginary River Landscape , monogrammed and dated 1670, is one of Herman Saftleven’s most charming and delicately rendered depictions of this meandering river valley. Here he has harkened back to the worldview landscapes of Pieter Brueghel the Elder, positioning the viewer in an elevated position so that the expansive vista extends to the distant horizon.
More people work on and around boats in the arctic-blue river that winds into the

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Ann Calvert Stuart Robinson (Mrs. William Robinson) by Gilbert Stuart

https://www.nga.gov/artworks/1116-ann-calvert-stuart-robinson-mrs-william-robinson

Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century , pages 246-249, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
their relationship and dates of birth (dates of death are undetermined), see Robert Winder

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Pastoral Landscape by Asher Brown Durand

https://www.nga.gov/artworks/72881-pastoral-landscape

By 1861, when Asher B. Durand executed this large and impressive picture, he had fully perfected his approach to landscape painting, creating idealized, expressive views of America’s wilderness based on close observations of the natural world that stand as prime examples of the Hudson River School aesthetic.
The river winds under an arched bridge, into the distance to our left.

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October by William Trost Richards

https://www.nga.gov/artworks/127263-october

Richards‘ early work as a landscape painter was strongly influenced by the paintings of the Hudson River School, which was at that time in its most active and creative phase. These works followed the school’s well-established formulas for depicting expanses of rural and wild scenery in a romanticized and stylized manner.
Controls Zoom In Zoom Out Recenter Visual Description A dirt path winds

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