Dein Suchergebnis zum Thema: wind

Born in 1856 in Florence to expatriate American parents, John Singer Sargent received his first formal art instruction at Rome in 1868, and then sporadically attended the Accademia delle Belle Arti in Florence between 1870 and 1873. In 1874 he was accepted at the Paris atelier of the portraitist Emile Auguste Carolus-Duran , and attended drawing classes at the Ecole des Beaux-Arts.
Accession ID  2015.19.636 Download artwork Artwork Studies of Notus for „The Winds

Born in 1856 in Florence to expatriate American parents, John Singer Sargent received his first formal art instruction at Rome in 1868, and then sporadically attended the Accademia delle Belle Arti in Florence between 1870 and 1873. In 1874 he was accepted at the Paris atelier of the portraitist Emile Auguste Carolus-Duran , and attended drawing classes at the Ecole des Beaux-Arts.
Accession ID  2015.19.637 Artwork John Singer Sargent, Studies of Notus for „The Winds

·  Accession ID  2006.21.1 Artwork John Croker, Neptune Contending with Four Winds

Accession ID  2007.124.1.a Download artwork Artwork Neptune Contending with Four Winds

Wright’s artistic interests varied widely, ranging from portraiture and scientific topics in his early „candlelight“ period to popular subjects, romantic history, literature, and landscapes in later years. This painting dates from the end of Wright’s career.
A path starting in the lower left corner of the painting winds back into the deep

Zoom Controls Zoom In Zoom Out Recenter Visual Description A river winds

In the spring of 1871 Thomas Moran traveled to the American West for the first time. Immediately upon his return, he began producing the paintings that would change the course of his career.
Zoom In Zoom Out Recenter Visual Description Far below us, a river winds

2014 – 2015, unnumbered catalogue. 2021 American Weathervanes: The Art of the Winds

Curator Alison Luchs explores the craftsmanship and beliefs surrounding this 2nd-century BCE religious sculpture.
of movement that pervades both the stone, the swirling, spiraling veining that winds

Curator Alison Luchs explores the craftsmanship and beliefs surrounding this 2nd-century BCE religious sculpture.
of movement that pervades both the stone, the swirling, spiraling veining that winds