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Prince Lu – Guqin (å�¤ç�´ ) – Chinese – Ming Dynasty – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/503523

Inscription: Inside soundhole, circular inscription: „Manufactured by the [prince of the] state of Lu in the year guiyou of the Chongzhen reign of the great Ming; #18.“Marking: 1) (on back at head) the title „honghe“(Capital Peace); 2) (on back below title) the seal „Luguo shi quan“ (Heirloom of the Lu State); 3) (below seal) 22-character poem that reads: The moonlight is being reflected by the river Yangtze, A light breeze is blowing over clear dewdrops, Only in a tranquil place Can one comprehend the feeling of eternity
View more Listen to experts illuminate this artwork’s story #"Ode to Autumn Wind

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Direct versus Indirect Casting of Small Bronzes in the Italian Renaissance – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/direct-versus-indirect-casting-of-small-bronzes-in-the-italian-renaissance

No later than the last quarter of the fifteenth century, Italian sculptors began to use methods to cast bronzes without destroying their original model.
sculptor may model wax into any conceivable shape, such as complex folded drapery, wind-blown

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Cubiculum (bedroom) from the Villa of P. Fannius Synistor at Boscoreale – Roman – Late Republic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/247017

Excavated at the Villa of P. Fannius Synistor, Boscoreale, about a mile from Pompeii (Cavenaghi 1901, p. 5; Barnabei 1901, pp. 71-81). 1899-1900, frescoes excavated by Vincenzo de Prisco; [until 1903, with Cesare and Ercole Canessa, Naples and Paris]; acquired in 1903, purchased from C
"Wind Towers in Roman Wall Paintings?."

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