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Painting in Italian Choir Books, 1300–1500 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/painting-in-italian-choir-books-1300-1500

Unlike books of hours, which were intended for individual devotion and usually small enough to be held in the hand, choir books were created for shared, communal worship and consequently necessitated a larger format.
who sing open-mouthed as they enter the church in the background, the procession winds

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Guido Cagnacci – The Death of Cleopatra – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/670765

The Artist: Cagnacci was from the town of Santarcangelo—in the Romagna region of Italy, not far from Rimini. Following his local training, he spent time in the prestigious Carracci academy in Bologna, drawing from posed models, and then went to Rome in the company of one of the great masters of Baroque painting, Guercino (he was living with Guercino in 1622)
The lethal serpent winds with unlikely elegance around her arm, the violence of its

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  • International
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