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The site of Mal’ta, for which the culture is named, is composed of a series of subterranean houses made of large animal bones and reindeer antler.
animal skins and sod to protect inhabitants from the severe, prevailing northerly winds
Search art at the Metropolitan Museum.
Peter Munsten ca. 1620–30 Shoe Buckle 1770–1800 Crossbow (Halbe Rüstung) with Winder
Search art at the Metropolitan Museum.
The Adoration of the Magi Giovanni Battista Tiepolo late 1750s Neptune and the Winds
Search art at the Metropolitan Museum.
1828 Harlequin Höchst Manufactory ca. 1750–53 Crossbow (Halbe Rüstung) with Winder
Search art at the Metropolitan Museum.
Lucas Cranach the Younger and Workshop ca. 1545–50 Crossbow (Halbe Rüstung) with Winder
Largely self-taught, Van Gogh believed that drawing was „the root of everything.“ His reasons for drawing were numerous. At the outset of his career, he felt it necessary to master black and white before attempting to work in color. Thus, Van Several Van
When the fierce mistral winds made it impossible for him to set up an easel, he found
Two scholars consider the displacement of Assyrian people and their art.
You can’t keep art safe and leave people to the winds.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
protectors of a landscape impacted by the notoriously fierce northerly mistral winds
Features monumental art from New Guinea, Pacific islands, Australia, and Island Southeast Asia—regions united by shared Indigenous ancestry.
Ceremonial string winder, Kisar Island artist 1724.
Moretto’s last major work, this altarpiece was commissioned by the Brescian confraternity known as the Disciplina di San Giovanni Evangelista for their oratory adjacent to the church of the same name
In the background a path winds toward Golgotha, the three crosses outlined against
