Sechs Landschaftstudien nach der Natur by Carl August Lebschée, Johannes M. von Hermann https://www.nga.gov/artworks/154278-sechs-landschaftstudien-nach-der-natur
Hermann 1829 Wetland Plants Carl August Lebschée, Johannes M. von Hermann 1829 Wild
Dein Suchergebnis zum Thema: wilde westen
What About China? | National Gallery of Art https://www.nga.gov/calendar/leadership-and-resilience-asian-americans-screen/what-about-china
Drawing from footage recorded mostly in 1993–1994 in villages of eastern and southern China, What about China? takes the notion of harmony in China as a site of creative manifestation.
Catlett Friday, May 16 2025 | 12:00 – 1:00pm Films Films: Wisdom Gone Wild
What About China? | National Gallery of Art https://www.nga.gov/calendar/leadership-and-resilience-asian-americans-screen/what-about-china?evd=202505251800
Drawing from footage recorded mostly in 1993–1994 in villages of eastern and southern China, What about China? takes the notion of harmony in China as a site of creative manifestation.
Catlett Friday, May 16 2025 | 12:00 – 1:00pm Films Films: Wisdom Gone Wild
Leadership and Resilience: Asian Americans on Screen | National Gallery of Art https://www.nga.gov/calendar/leadership-and-resilience-asian-americans-screen
Celebrate Asian American and Pacific Islander Heritage Month with screenings of recent and innovative award-winning documentaries by and about Asian Americans.
Registration Required Adults In-person Films Saturday, May 17 Films Wisdom Gone Wild
Title from caption on object: “How We Look from Outer Space” by Bill Anders, National Aeronautics and Space Administration, Associated Press https://www.nga.gov/artworks/218494-title-caption-object-how-we-look-outer-space
Yeakley, Wilder, ID; Mary and Dan Solomon, Monarch Beach, CA; gift to NGA, 2018.
Potter Richard Bresnahan Navigates an “Eco-mutual” Future | National Gallery of Art https://www.nga.gov/stories/articles/potter-richard-bresnahan-navigates-eco-mutual-future
The Minnesota artist’s humanist, ecological pottery contains operating instructions for our shared survival.
He’d get donations of wild rice hulls from the White Earth and Red Lake Indigenous
Tank Man by Jeff Widener, Associated Press https://www.nga.gov/artworks/218541-tank-man
2018.177.631 Artwork history & notes Artwork History Provenance (sale, RMY Auctions, Wilder
New York, George Bellows | National Gallery of Art https://www.nga.gov/node/856001
Completed in February 1911, New York is a large, ambitious painting in which George Bellows captured the essence of modern life in New York City. Bellows did not intend to represent a specific, identifiable place in the city. He instead drew on several bustling commercial districts to create an imaginary composite, an impossibly crowded image that would best convey a sense of the city’s frenetic pace.
CHARLES BROCK: What I love about it is its wild ambition.
Open Window, Collioure by Henri Matisse https://www.nga.gov/artworks/106384-open-window-collioure
A painting may provide a “window” into a different world. Here, the painting is itself a window, and it reveals a world dizzy with color and movement.
the early 20th century, and its creator, Henri Matisse, was dubbed a fauve, or wild
Henri Matisse | National Gallery of Art https://www.nga.gov/artworks/provenance/1706-henri-matisse
Introduced to painting while recovering from appendicitis at age 19, Henri Matisse abandoned his job as a law clerk to compose conventional Dutch-inspired still lifes and interiors using a somber palette. After moving from northern France to Paris in 1891, his colors brightened and his style evolved under the influence of Paul Cézanne , Paul Gauguin , and others.
This experimentation—dubbed fauvism (from “wild beasts”)—was a brief but crucial