Meintest du wald?
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This panel is part of a triptych painted by two artists:
Joseph Russell Bailey [1840-1906], 1st Baron Glanusk, Glanusk Park, Breconshire, Wales
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This panel is part of a triptych painted by two artists:
Joseph Russell Bailey [1840-1906], 1st Baron Glanusk, Glanusk Park, Breconshire, Wales
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This triptych was painted by two artists:
Joseph Russell Bailey [1840-1906], 1st Baron Glanusk, Glanusk Park, Breconshire, Wales
The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. The partnership of the two artists here— Puccio painted the center and right-hand panel of this tryptych and Allegretto the left—is a bit unusual, since they were not based in the same city.
Joseph Russell Bailey [1840-1906], 1st Baron Glanusk, Glanusk Park, Breconshire, Wales
After the Reformation had brought social and political upheaval to Germany, creating an unfavorable climate for artists, Holbein moved to England in 1526. He first painted for Sir Thomas More’s circle of high servants of the crown and then became painter to the King himself, Henry VIII.
Advertisement for Edward VI as Prince of Wales facsimile.
Urban Planning in Rome: 1500 to 1750 William Eisler, Art Gallery of New South Wales
Desai, Prince of Wales Museum of Western India Paul Mellon Visiting Senior Fellow
