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Nicholas Hilliard – Portrait of a Woman – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436650

The Artist: Nicholas Hilliard, the son of Richard Hilliard, an Exeter goldsmith, made his earliest known miniatures in 1560. He served his apprenticeship as a goldsmith, beginning in 1562 with Robert Brandon, whose daughter Alice he was to marry in 1576
; however, the queen, Anne of Denmark, and their son Henry Frederick, Prince of Wales

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Henry Hadley – Pair of Flintlock Pistols – British, London – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/788268

Inscription: Engraved on the lower edges of the lock plates: H.HADLEY.Marking: Stamped on the top flats of the barrels: H/HAD/LEY (within an arched-top mark); LON/DON (within a rectangular mark); on the underside of the barrels: London proof marks; and a foreigner’s mark: F (beneath a crown)
the collection of George III (1738–1820), one bearing his crest when Prince of Wales

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Bronze statuette of a veiled and masked dancer – Greek – Hellenistic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/255408

Said to have come from Alexandria (von Bothmer and d’Harnoncourt 1950, p. 9, no. 46) [Until 1926, with Maurice Nahman, Cairo]; [July 1926, purchased by Joseph Brummer from M. Nahman]; [1926-1948, with Joseph Brummer, New York (P3294)]; 1948, purchased by Walter C
Veiled Woman of Ancient Greece. p. 64, figs. 72–73, London: Classical Press of Wales

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Art on Its Own Terms: Author Amelia Peck on Gee’s Bend Quilts in My Soul Has Grown Deep – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/amelia-peck-rachel-high-gees-bend-quilts-interview

In this interview, author and curator Amelia Peck discusses the history of quilting in Gee’s Bend, Alabama, and how these works of art have historically been misunderstood.
Grace Wales Bonner August 15 Sartorial Groundings: African Design at the Heart

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