Meintest du wald?
Curator Andrew Bolton provides an overview of the themes and works to be explored in The Costume Institute’s spring exhibition, Heavenly Bodies: Fashion and the Catholic Imagination.
Grace Wales Bonner August 15 Sartorial Groundings: African Design at the Heart
The technique of water-based painting dates to ancient times, and belongs to the history of many cultures in the world.
Holy Island, Northumberland Thomas Girtin 1796–97 Craig Goch, Moel Hebog, North Wales
Lacking the traditions of commercial production and established markets that supported the continued growth and vitality of the Netherlandish and French industries, manufactories like the Medici, Mortlake, and Barberini workshops were dependent on the fortune of their founding patrons.
provided a model for the English king, James I, and his son Charles, Prince of Wales
was cast by Pietro Tacca as part of a gift sent by Cosimo II to Henry, prince of Wales
New interpretive labels help visitors navigate the role of the decorative arts in negotiating race, labor, colonialism, and global commerce.
Grace Wales Bonner August 15 Sartorial Groundings: African Design at the Heart
New York, nineteenth century
Two ball gowns that were worn to the Prince of Wales Ball held in New York during
The innovative designer speaks about how fashion can address social issues, from gender-based violence to government corruption.
Grace Wales Bonner August 15 Video Exhibition Tour—Arts of Africa | Michael C.
Art Gallery of New South Wales.
Moroni’s portrait of the Bergamasque professor Bartolomeo Bonghi (died 1584) is one of his finest works from the 1550s. Bonghi is shown seated on a Savonarolan-style chair with a book in his left hand, gazing toward the viewer, and with a cityscape through the window beyond
family, Bergamo (by 1824–33; sold for 120 Luigi to Jones); William Jones, Clytha, Wales
Learn more about the history of painted details on early Cycladic marble figures in the Leonard N. Stern Collection.
Bangor: Department of Classics, University of North Wales, 1988.
