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Laura Mina, associate conservator in The Met’s Costume Institute, offers a close look at an 18th-century court suit.
Grace Wales Bonner August 15 Sartorial Groundings: African Design at the Heart
Glenn Petersen, conservator in The Met’s Costume Institute, offers a close look at a House of Worth ball gown from 1898.
Grace Wales Bonner August 15 Sartorial Groundings: African Design at the Heart
Sarah Scaturro, conservator in The Met’s Costume Institute, offers a close look at two Iris Van Herpen dresses.
Grace Wales Bonner August 15 Sartorial Groundings: African Design at the Heart
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
“85 Shoulder Guards (Sode) Japanese 17th century Buckler British, Wrexham, Wales
This panel conversation explores the creative entrepreneurship of Black fashion designers.
Grace Wales Bonner August 15 Sartorial Groundings: African Design at the Heart
Meet Jomo Tariku, one of the many contemporary artists whose work is featured in „Before Yesterday We Could Fly: An Afrofuturist Period Room.“
Grace Wales Bonner August 15 Sartorial Groundings: African Design at the Heart
Elizabeth I’s admiration for the arts, along with England’s economic buoyancy during her reign, provided ripe conditions for the production of enduring hallmarks in the visual, decorative, and performing arts.
1573– ca. 1585, British mounts ca. 1585 Henry Frederick (1594–1612), Prince of Wales
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Grace Wales Bonner August 15 Video Exhibition Tour—Arts of Africa | Michael C.
Inscription: In plate top left: „No. 6.“; along bottom: „The Iron Forge between Dolgelli and Barmouth in Merioneth Shire“; below left: „Publish’d according to Act of Parliament by P. Sandby St
Dolgelli and Barmouth in Merioneth Shire Series/Portfolio: Twelve Views in North Wales
