Aaron Douglas painted The Judgment Day in 1939, more than a decade after creating the book illustration on which the painting is based. In 1927 Douglas had provided eight strikingly original illustrations for a collection of poems titled God’s Trombones:
Thesis, University of Maryland, College Park, 1993: 63, fig. 48 (reference to the
University Park, Pennsylvania, 1981: 39-40, 165, 166-167, no. 37, fig. 86. 1982
University Park, Pa., 2012: 122-125, fig. 46. Decker, John R.
Painted in October 1909, the remarkably expressive and dynamic Both Members of This Club is the third and largest of George Bellows’s early prizefighting subjects. The painting’s title is a reference to the practice in private athletic clubs of introducing the contestants to the audience as “both members� to circumvent the Lewis Law of 1900 that had banned public boxing matches in New York State.
Barbara, Doreen Bolger, and David Park Curry.
Park, University of California, Riverside Ailsa Mellon Bruce Senior Fellow Presence
documenting the Widener art collection at Lynnewood Hall, the family residence in Elkins Park
University Park and London, 1975: 140, 143-144, 146-147, repro. Solkin, David.
Anthony van Dyck painted this portrait of an upper-class Antwerp woman around 1618, shortly after he registered as a master painter with the Antwerp Saint Luke’s Guild. At that time, Antwerp’s long-established portrait tradition emphasized a sitter’s virtuous character through restrained gestures and a direct gaze.
University Park, 2020: 133.
How contemporary artists working in El Paso and Juárez counter mainstream narratives of the region.
Mount Cristo Rey in Sundland Park, New Mexico, just outside of El Paso and Juárez
A deeper look at how photography became a tool for the Civil Rights leader.
Fernandez, Memorial to Martin Luther King, Jr., Central Park, New York, April 1968
