Dein Suchergebnis zum Thema: park

In this Arcadian portrait, Anthony van Dyck pictures Philip, 4th Baron Wharton, standing before a shimmering green drapery against a rocky backdrop, while holding a shepherd’s houlette in the crook of his arm. His regal pose and his sumptuous attire with its rich golden-yellow, purple, and emerald tones convey both grace and elegance, while his gaze exudes self-confidence.
University Park, 2020: 133.

Recenter Visual Description From a distance, we look down onto and across a lush park

Desiderio da Settignano, born in a small village in the hills above Florence, numbers among the most brilliant marble sculptors of the Renaissance. His mastery of relief sculpture is apparent in this pictorially rich image, with its complicated space in which figures move in different planes, all suggested by the subtlest manipulations of the marble surface.
Widener, Lynnewood Hall, Elkins Park, Pennsylvania, after purchase 1921 by funds

Ausstellung—Ausstellung der Photo-Secession Dresden Photographische Ausstellung im Park

It might be said that with paintings like this one, Annibale Carracci invented the landscape as a subject for Italian baroque painting. Nature here is appreciated first and foremost for herself and not as the backdrop for a story.
Provenance Sir John Rushout, 6th bt. and 2nd baron Northwick [1770-1859], Northwick Park

For this depiction of Joseph spurning the advances of his Egyptian employer’s wife, as recounted in the Book of Genesis, Guercino chose a three-quarter length format that presses the life-sized figures close to the spectator. He has filled the scene with the bed — all rumpled sheets and opulent curtains.
Charles Robert Vane-Tempest-Stewart, 9th marquess of Londonderry [b. 1937], Wynyard Park

Recenter Visual Description From a distance, we look slightly down into a lush park

The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. This triptych was painted by two artists:
private collection.[2] Joseph Russell Bailey [1840-1906], 1st Baron Glanusk, Glanusk Park

The creation of works of art during the late Middle Ages and early Renaissance was often a collaborative process. The partnership of the two artists here— Puccio painted the center and right-hand panel of this tryptych and Allegretto the left—is a bit unusual, since they were not based in the same city.
private collection.[2] Joseph Russell Bailey [1840-1906], 1st Baron Glanusk, Glanusk Park

Aaron Douglas painted The Judgment Day in 1939, more than a decade after creating the book illustration on which the painting is based. In 1927 Douglas had provided eight strikingly original illustrations for a collection of poems titled God’s Trombones:
Thesis, University of Maryland, College Park, 1993: 63, fig. 48 (reference to the