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Venus and Adonis by Titian, Italian 16th Century

https://www.nga.gov/artworks/1223-venus-and-adonis

Venus, as if filled with foreboding about Adonis’s fate, desperately clings to her lover, while he pulls himself free of her embrace, impatient for the hunt and with his hounds straining at the leash. The goddess’s gesture is echoed by that of Cupid, who anxiously watches the lovers’ leave-taking while clutching a dove—a creature sacred to Venus.
Widener, Elkins Park, after purchased 1925 by funds of the Estate; gift 1942 to NGA

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River Landscape with Cows by Aelbert Cuyp

https://www.nga.gov/artworks/69390-river-landscape-cows

Eight cows quietly chew their cud on the bank of a river while on the dike above two herdsmen talk to a passing rider, their distant forms accented by shafts of late afternoon light breaking through the billowing clouds. To the seventeenth-century Dutch, the well-fed cow symbolized the nation’s prosperity.
Anne, 4th marchioness of Ely [1856-1917, née Caroline Anne Caithness], Eversley Park

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La Méditerranée by Aristide Maillol

https://www.nga.gov/artworks/93096-la-mediterranee

At the beginning of the twentieth century, as he turned from a career as a painter and a graphic and tapestry designer to concentrate on sculpture, Aristide Maillol was shaping what would become the leitmotif of his career. The subject that inspired him was the female nude, carefully observed but transmuted by underlying geometric forms into a kind of architecture, evoking the timeless rather than the individual.
had included Crouching Woman, Thought, Latin Thought, and Statue for a Peaceful Park

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Man in Oriental Costume by Rembrandt van Rijn, Dutch 17th Century, Govaert Flinck

https://www.nga.gov/artworks/572-man-oriental-costume

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
University Park, PA, 1988: 219; 233, fig. 9-16; 234, fig. 9-17, UV-photo; 235, fig

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