Mrs. William Hartigan by Carl Fredrik von Breda https://www.nga.gov/artworks/1109-mrs-william-hartigan
Boston, 1886: 11, no. 206. 1926 Park, Lawrence. Gilbert Stuart. 4 vols.
Boston, 1886: 11, no. 206. 1926 Park, Lawrence. Gilbert Stuart. 4 vols.
University Park, 2020: 140.
Washington, and professor of art history at the University of Maryland, College Park
Carpaccio reimagined the Madonna and Child theme when he made this painting. Instead of wearing a traditional blue cloak, the Virgin Mary, or Madonna, is clothed in fashionable Venetian dress.
Robert Henry [1850-1929] and Evelyn Holford [1856-1943] Benson, London and Buckhurst Park
The Palestinian-American poet is inspired by „Falling Man“ by Max Beckmann, her mother’s teacher.
not bear to feel her dearest teacher step out for a morning walk across Central Park
Louis XIV, XV & XVI): Loan Exhibition in Aid of the Royal Northern Hospital, 25 Park
There is little doubt that these two portraits by Rembrandt van Rijn (see also NGA 1942.9.67) were conceived as pendants, or companion pieces. In both, light illuminates the subjects from exactly the same angle.
Widener, Elkins Park, Pennsylvania, after purchase by funds of the Estate; gift 1942
Great America (1994) by Kerry James Marshall is the Gallery’s first painting by this major midcareer artist. A devoted student of the human figure and the history of art, Marshall draws upon the experience of African Americans to create imposing, contemporary history paintings.
Great America he re-imagines a boat ride into the haunted tunnel of an amusement park
The Protestant Dutch had a reputation for strict rules that defined social conduct. Only on rare occasions, such as a betrothal when a suitor was expected to show passion for his future wife, would a demonstration of emotion be considered proper.
Humphrey Mildmay [1794-1853], and Thomas Baring [1799-1873], London, and Stratton Park
Robert Henry [1850-1929] and Evelyn Holford [1856-1943] Benson, London and Buckhurst Park