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A pair of portraits of Emilia di Spilimbergo and her younger sister Irene was begun in about 1558, most likely in anticipation of their prospective marriages. The initial reason may have been to present two highly eligible, aristocratic young women to potential husbands, or the portraits may have been intended as permanent mementos for the sisters’ family after they were married.
Widener [1834-1915], Elkins Park, Pennsylvania;[3] Inheritance from the Estate of

Pieter de Hooch excelled in the sensitive depiction of people going about their daily lives, be it inside their houses or in the sheltered environment of an urban courtyard. His masterly control of light, color, and complex perspectival construction can be compared to the work of Johannes Vermeer, his contemporary and colleague in Delft.
Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Widener, Lynnewood Hall, Elkins Park, Pennsylvania, by 1912; inheritance from Estate

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Widener, Lynnewood Hall, Elkins Park, Pennsylvania;[5] inheritance from Estate of

More information on this object can be found in the Gallery publication Western Decorative Arts, Part I: Medieval, Renaissance, and Historicizing Styles Including Metalwork, Enamels, and Ceramics , which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/western-decorative-arts-part-i.pdf
Widener, Lynnewood Hall, Elkins Park, Pennsylvania; inheritance from Estate of Peter

Explore our bounty of fall images.
Maple, Deer Isle No. 1 Close Modal Dawn, Autumn, Great Smoky Mountains National Park

Widener, Elkins Park, Pennsylvania, as Florentine, fifteenth century;[4] inheritance

Widener, Elkins Park, Pennsylvania, as French, twelfth century; inheritance from

€™s six-acre plot between 7th and 9th Streets NW was controlled by the National Park

William James Glackens was born in Philadelphia on March 13, 1870, to Elizabeth Finn Glackens and Samuel Glackens, a clerk for the Pennsylvania Railroad. Both William and his older brother, Louis (American, 1866–1933), who would later become an illustrator, showed an early talent for drawing.
 Accession ID  2015.143.76 Artwork William Glackens, Studies of Women by the Park