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Hans Memling – The Annunciation – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437490

The Artist: A successor of Jan van Eyck and Petrus Christus, and a contemporary of Gerard David, Hans Memling was among the most important artists of fifteenth-century Bruges. Although he spent the majority of his career in that thriving city, he was born around 1435–40 in the German town of Klein-Krotzenburg near Seligenstadt, south-east of Frankfurt, Germany
University Park, Pa., 2015, p. 120 n. 19. C.

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Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436282

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
University Park, Pa., 1990, p. 5 n. 15, p. 11 n. 13, pp. 39–40, 44–45 n. 56,

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Case attributed to André Charles Boulle – Clock with pedestal – French, Paris – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/202114

Signature: Engraved on dial in script: J. Thuret; Engraved on brass backing of movement in script: J. Thuret AParisInscription: Inlaid on door of pedestal: TOVRMENT PLVVIEVX CHANGEANT BEAVTEMP TRESSEC; Modern sticker on back of pedestal: 3438
References: Parker 1960b, ill.; Ottomeyer and Pröschel 1986, vol. 1, p. 44, no.

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