Dein Suchergebnis zum Thema: park

On the back of this rectangular ivory panel, a raised rim surrounds a smooth, recessed compartment, displaying the vertical orientation of the ivory grain. The recessed field provided an area for the panel to receive a thin sheet of wax that could be used as an erasable writing surface
Literature, With an Edition of Middle English and Middle Scots Pastourelles (University Park

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Hannah Sanghee Park December 11, 2024 Video Meet the Artist—The Genesis Facade

Probably made for Hagia Sophia, the patriarchal seat of the Orthodox church; Chrysanthos Notaras, Patriarch of Jerusalem (1707-1731) ; Monastery, Mount Athos(probably given by Notaras, until 1866); Konstantinos Erbitsianos, Athens, Paris, and Romania (1866-1877); Claudin, Paris (1877); Henri Bordier, Châtelaine-Aïre, near Geneva (1877-d
University Park: Pennsylvania State University Press, 1992. p. 9.

This panel of about 1650–51 introduces the most admired qualities of Ter Borch’s mature style (as found, for example, in Curiosity of about 1660–62, The Met 49
University Park, Pa., 2015, p. 120 n. 19. Karl Schütz.

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
worked for the National Gallery of Art, the Department of the Interior, the National Park

The Cloisters: The Building and the Collection of Medieval Art in Fort Tryon Park

View an assortment of images of fashion ensembles presented in the exhibition Camp: Notes on Fashion.
—Jonathan Dollimore, 1991 Spoken by JiSun Park for Blindness "Camp renders gender

The Cloisters: The Building and the Collection of Medieval Art in Fort Tryon Park

The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
The middle scene takes place within a forested hunting park.

This is an early work by Alessandro Bonvicino, known as Moretto da Brescia, who, along with Girolamo Romanino, was the dominant painter in the city of Brescia (then in the westernmost area of Venice’s mainland empire) in the first half of the sixteenth century
University Park, Pa., 2015, pp. 86–87, fig. 36 (color).