Dein Suchergebnis zum Thema: mann

Jean-Baptiste Greuze – Broken Eggs – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436579

Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris) ca. 1760–80 Girl’s Head Manner

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Baltimore Room | The Metropolitan Museum of Art

https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/baltimore-room

This room, installed in gallery 724, comes from a townhouse for the Baltimore, Maryland, merchant and shipowner Henry Craig (1767–1832). Although it served as the Craig family’s parlor, the Museum has furnished the space as a dining room since the American Wing opened in 1924
management espoused prescribed menus, seating arrangements, service practices, manners

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Margareta Haverman – A Vase of Flowers – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436634?exhibitionId=%7Bf09f2f10-eee2-4ecb-8e2a-c6c9669ba1b2%7D&%3Boid=436634&%3Bpkgids=512

The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
at any moment,� as well as “the ants, the snails, the butterflies, and all manner

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Netherlandish Painter – Portrait of a Noblewoman, Probably Isabella of Portugal (1397–1472) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437203

The Portrait: The identities of the painter and sitter have long been debated, and while the painter remains uncertain, the noblewoman is now generally considered to be Isabella of Portugal (1397–1472), third wife of Philip the Good, Duke of Burgundy
Given the close-up manner and static pose in which the unfinished Virgin and Child

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Paul Cézanne – The Card Players – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435868

The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
The painter worked in a conventional manner, scaling up to work on a canvas almost

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